Chapter summaries I Think We've Been Here Before Suzy Krause

Chapter 10 (Chapter 9) Summary and Analysis

⚠️ Spoiler Warning: This guide contains detailed spoilers for the entire novel. Proceed only if you've finished reading or are comfortable knowing the plot.

Summary

As Berlin enters emergency lockdown, Nora receives a text from Jacob at Begonia restaurant telling her the café is closed and advising her to fly home if possible. The streets are eerily silent, a contrast to the internal panic Nora senses everywhere. Her mother calls repeatedly, but Nora cannot bring herself to answer, wanting to prove she can handle the crisis alone. Governments advise against unnecessary travel, yet millions rush to book flights, causing airline websites to crash. Nora tries to book a flight but the site fails repeatedly. Time moves in strange, unpredictable clumps. Sonja emerges from her room pretending nothing is wrong. When Petra returns home, Nora expects urgency, but Petra instead speaks calmly about the end of the world, calling it fascinating and beautiful, describing the atmosphere turning to plasma. Sonja is horrified; Nora breaks down crying. Sonja comforts her. Nora finally finds a single one-way flight from Berlin to Saskatoon and enters her payment details, but receives an error email stating the transaction failed. She hides her disappointment and stares at a crack in the wall.

Key Events

  • Nora reads Jacob’s text about Begonia closing for several days.
  • Nora’s mother calls repeatedly; Nora avoids answering to prove her independence.
  • Nora tries to book a flight but airline websites crash.
  • Sonja pretends the situation isn’t happening.
  • Petra arrives home and reacts with detached fascination rather than fear.
  • Petra describes the world’s end as beautiful, mentioning plasma.
  • Nora finds a flight and attempts to purchase it.
  • The payment fails with an error from the credit card company.
  • Nora conceals her disappointment from Sonja.

Character Development

Nora — She wants to demonstrate competence to herself and her family by handling the travel dilemma alone. Her avoidance of her mother’s calls shows a desire for autonomy, yet she still craves her mother’s comforting voice. When her flight booking fails, she suppresses her emotions, highlighting a tendency to hide vulnerability.

Sonja — Initially in denial, Sonja avoids acknowledging the crisis by busying herself with trivial activities (painting toenails). When Petra’s blunt talk of death shocks her, Sonja shifts to an empathetic role, comforting Nora. She also reveals that Petra’s family is “weird,” hinting at a deeper understanding of Petra’s personality.

Petra — Her reaction stands apart: she is intellectually fascinated rather than frightened. She uses words like “fascinating” and “beautiful” to describe the apocalypse, and she details the plasma death of the human race without apparent distress. This detachment unsettles Nora and Sonja and establishes Petra as a character who processes existential threats through a philosophical, almost clinical lens.

Themes, Symbols, or Motifs

Denial vs. Acceptance — Sonja’s refusal to engage contrasts with Petra’s full (if cold) acceptance of mortality. Nora leans toward denial by focusing on a concrete problem (booking a flight) rather than the larger catastrophe.

The Failure of Technology — Airline websites crash; Nora’s credit card transaction errors out. These failures amplify the sense of losing control and the fragility of modern systems in a crisis.

Time Distortion — The narrator describes time moving in “clumps,” like mud falling off a car—long stretches of nothing then sudden hours lost. This mirrors the psychological experience of waiting for news during an emergency.

Plasma — Petra’s graphic image of the air turning to plasma symbolizes the unavoidable, collective end. For her it is poetic; for Nora it becomes a nightmare.

The Crack in the Wall — At the chapter’s close, Nora focuses on a physical crack rather than her own emotional fracture. It symbolizes her attempt to ground herself in something small and tangible.

Why This Chapter Matters

This chapter pivots from the personal mysteries of earlier chapters to a global crisis. It forces each character to reveal her coping mechanism: Nora’s problem-solving, Sonja’s denial, Petra’s intellectual detachment. The failed flight booking creates immediate stakes and raises questions about whether Nora will escape Berlin. Petra’s unusual perspective deepens her characterization and sets up potential conflict among the roommates. The chapter also establishes the tone for the rest of the novel—surreal, anxious, and laced with dark humor.

Study Questions and Answers

1. Why does Nora avoid answering her mother’s calls?
Nora wants to prove to herself that she can manage the situation independently, which she sees as part of becoming an adult. She fears that if she calls, her parents will take over, and she will lose her chance to demonstrate self-sufficiency.

2. How does Petra’s reaction to the news differ from Sonja’s?
Sonja denies the gravity of the situation by acting as if nothing has changed. Petra, in contrast, acknowledges the end directly but frames it as a rare, beautiful event, describing the planet’s death in scientific and poetic terms. Sonja is horrified; Petra is fascinated.

3. What does the failed flight transaction reveal about Nora’s emotional state?
Nora does not express surprise or disappointment when the payment fails, which suggests she was already pessimistic about her chances. She hides her tears from Sonja, indicating that she suppresses her feelings to maintain a brave face and to avoid making Sonja uncomfortable.

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