Chapter 17 Summary: September 19, 1993 – Lizzie
Spoiler warning: This page contains detailed plot points from Chapter 17 of Releasing 10 (The Boys of Tommen). Read on only if you are ready for full spoilers.
Summary
Five-year-old Lizzie Young returns home from St. Anthony’s feeling defeated. She tells her mother she hates the school, where she is placed among younger children and forced into therapy sessions that feel pointless and belittling. Lizzie believes she is labeled as “bad” by teachers and by Dr. Wolfe, the therapist who recommends medication that makes her sleepy.
Her mother, recovering from an illness that left her with short white curls, gently explains that St. Anthony’s is meant to help Lizzie learn to talk to people again – a skill she lost after a period of not speaking. Lizzie insists she only wants to talk to her mother and that no one else gives her a chance. Mam reassures her, using a rebellious curse to dismiss the opinions of those who think Lizzie is bad.
Lizzie reveals she used her birthday wish for her mother’s health, and Mam confirms the doctors are happy with her progress. The mood brightens when Lizzie’s older sister, Caoimhe, bursts in from her first day at Tommen, a private secondary school. Caoimhe is infatuated with a new classmate named Mark Allen, a rugby player with a curly mullet who recently moved to Clonamore from Roscommon. She describes Mark as tall, handsome, and from a family also connected to Sadhbh Gibson, the woman Caoimhe babysits for. Mam teases her about the crush and suggests inviting Mark over for dinner, which Caoimhe eagerly accepts.
Key Events
- Lizzie expresses frustration about St. Anthony’s, claiming it is not a real school.
- Mam explains the school’s purpose: to help Lizzie communicate again.
- Lizzie reveals she has stopped speaking to most people and feels constantly punished.
- Mam comforts Lizzie, admitting she also had a hospital appointment that went well.
- Lizzie shares that her birthday wish was made for her mother’s recovery.
- Caoimhe arrives home excited about her first day at Tommen.
- Caoimhe gushes about Mark Allen, a new boy she met, detailing his appearance and family story.
- Mam invites Caoimhe to bring Mark for dinner that evening.
Character Development
- Lizzie Young: This chapter deepens Lizzie’s early struggles. She is intelligent, aware of her own abilities (letters, numbers, reading), but emotionally weighed down by the perception that she is “bad.” Her reliance on her mother is total; she resists talking to anyone else. The birthday wish shows her deep love and a childlike belief that her actions can heal others.
- Mrs. Young (Mam): She is portrayed as a patient, loving mother, still recovering from a serious illness (implied to be cancer, given the regrowing hair and hospital appointments). She is protective of Lizzie, using humor and secrecy to reassure her, but also frustrated by the limitations placed on her daughter. Her willingness to welcome Mark shows she values family connection.
- Caoimhe Young: Contrasts sharply with Lizzie. Caoimhe is outgoing, excited, and socially eager. Her crush on Mark Allen is typical of a first-year teenager; she speaks freely and dramatically. This difference highlights the distance between the sisters’ experiences of childhood and adolescence.
- Mark Allen: Though not physically present, his character is introduced through Caoimhe’s description. He is a newcomer to the area, has lost his mother, and is linked to the Gibson family. This sets up future connections (likely relevant later in the series).
Themes, Symbols, or Motifs
- Communication and Silence: Lizzie’s selective silence is a core motif. She speaks only to her mother, yet the chapter shows her internal voice is rich with frustration and insight. The “secret book” teachers write in symbolizes adult scrutiny that Lizzie feels is unfair.
- Healing and Family Bonds: Mam’s regrown hair and Lizzie’s wish both emphasize physical and emotional healing within the family. The kitchen setting (baking cookies, ironing) creates a safe, nurturing space.
- Class and Opportunity: Caoimhe mentions that her friend Darren attends BCS (a public school) because Tommen is private and expensive. This subtly introduces the class divide that will likely affect character dynamics later.
- Crush and Escapism: Caoimhe’s infatuation with Mark offers a light, joyful contrast to Lizzie’s heavy day. Mark’s backstory also touches on loss and relocation, mirroring themes of change.
Why This Chapter Matters
Chapter 17 provides essential backstory for Lizzie Young, revealing the early roots of her emotional isolation and her fierce attachment to her mother. It also establishes the character of Caoimhe and her connection to Mark Allen, who may become a significant figure in the series. The contrast between Lizzie’s struggle to feel understood and Caoimhe’s social ease sets up a family dynamic that will likely be tested in later chapters. The chapter grounds the present-day narrative of Releasing 10 in a childhood memory that explains why Lizzie behaves the way she does.
Study Questions and Answers
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What is the underlying cause of Lizzie’s placement at St. Anthony’s, according to her mother?
Mam says the school is meant to help Lizzie learn to talk to other people again – implying that Lizzie has stopped speaking to anyone except her mother. The therapist Dr. Wolfe believes a year at St. Anthony’s will help her regain that social communication skill. -
How does Lizzie’s wish tie into the chapter’s theme of healing?
Lizzie reveals she used her birthday wish to make her mother better. When Mam confirms her latest hospital visit went well, Lizzie believes her wish came true. This shows the power of a child’s hope and the strong emotional bond between them, while also hinting that Mam may have been fighting a serious illness (likely cancer). -
What social contrast is introduced through Caoimhe’s mention of Darren attending BCS instead of Tommen?
Caoimhe explains that Darren’s family does not have enough money to pay for private schooling. This introduces a class divide that separates friends based on financial means, a tension that may affect future character relationships and opportunities in the story.