Chapter 3 Summary and Analysis
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Summary
The chapter opens on a Sunday morning. Maddie, still recovering from the back injury she sustained in the previous chapter, cleans her father’s room. The task takes twice as long because of the persistent pain, which she describes as a constant pinching. She mops the floor, changes the bedding, wipes windows, and cleans the toilet. She also rinses out the bucket that Dawoud, her father’s caregiver, uses when her father’s legs are too weak to reach the upstairs bathroom. Maddie notes that she requested a downstairs toilet from the council months ago but is still waiting.
After cleaning, Maddie heads to church in central London. On the way, her friend Shu calls her—unusual because Shu typically only texts and dislikes spontaneous phone calls. The call reveals their friendship history: they met at Birkbeck University, where Shu sat next to Maddie in a lecture and borrowed a pen and paper. Shu is now in a relationship with Lydia and works a demanding city job. She is flat-hunting because her tenancy is ending, and she mentions that she turned down a flat because the potential roommate was “too pretty,” fearing Lydia’s wandering eye. Shu suggests that Maddie move out so they could share a place, but Maddie deflects, saying she likes being at home. She feels a pang of envy at the idea of independence but immediately feels guilty, reminding herself that her father needs her.
Maddie attends a contemporary Christian church in central London, which she prefers to her mother’s Pentecostal church in Croydon because it offers anonymity. She sits alone and listens to a sermon. When she returns home, she finds her father alone in the living room, staring at a blank wall and speaking in Twi. He is hallucinating, believing he sees his deceased sister Rebecca. Maddie tries to convince him she isn’t there, but he insists. She gently shakes him, and he eventually snaps out of it, tears running down his cheek. Maddie holds his hand and comforts him until he falls asleep. She then calls Dr. Appong, who reassures her that hallucinations can be a side effect of her father’s medication. He agrees to visit the next day. Maddie tries to reach her brother James and her mother, but neither responds. That night, she lies awake reflecting on her past—how she used to spend weekends with friends before her father’s illness, and how she grew up largely alone because her mother was often in Ghana and her brother was absent. She thinks about the pressure she has carried and the experiences she missed, including losing her virginity and developing a social life.
On Tuesday, Maddie is sitting on a bench at the South Bank when her mother calls. Her mother asks about church and then immediately asks if Maddie has met anyone. Maddie deflects, but her mother presses her about finding a God-fearing man. Her mother mentions that her cousin Glory, who is younger than Maddie, has just married. Maddie’s mother then reveals that she has booked a ticket to return home for a year or more, and suggests that Maddie move out while she is there to care for her father. Maddie is surprised; she had never considered that her mother would want to be alone with her father. She reflects on her parents’ unusual marriage—they are still married but live apart, and her mother insists on keeping family matters private. Maddie begins to consider the possibility of moving out, downloading a room-finding app called RentARoom.
Back at work, Maddie faces a crisis. Her boss Katherine is having a meltdown over diary clashes, blaming Maddie for accepting invitations that Katherine herself had accepted. Katherine is red-faced and on the verge of tears, and the entire office watches. Claire steps in to calm Katherine, leaving Maddie to sort out the diary. Maddie feels humiliated and cries in the bathroom, wondering if she is sitting in Katherine’s favorite crying cubicle.
Later that afternoon, Maddie leaves work early to attend a GP appointment for her back. Dr. Rana examines her and asks how she is. Maddie almost tells the truth—that she is struggling with her father’s hallucinations, her boss, her mother’s return, and her own crying spells—but she stops herself and lies, saying she hurt her back lifting heavy boxes at work. Dr. Rana prescribes painkillers and advises her to avoid strenuous activity.
That evening, Maddie attends a play at her workplace theatre, CGT. The play is loosely based on the Salem witch trials. During the interval, she visits an exhibition of costumes and admires a gold-yellow feathered dress. A man named Ben Featherstone approaches her, complimenting the dress and introducing himself. They chat, and Ben reveals he came to the play the previous night. He asks for her number, and Maddie gives it to him. She spends the rest of the play distracted, thinking about Ben and worrying about what might happen if he calls. She reflects on her lack of romantic experience—her only “boyfriend” was a brief high school relationship that ended before university. She hopes Ben will text rather than call, as she hates phone conversations.
Key Events
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Maddie cleans her father’s room, hampered by her back pain.
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Shu calls Maddie on the way to church; they discuss Shu’s flat hunt and Maddie’s reluctance to move out.
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Maddie attends church alone, preferring the anonymity of a large congregation.
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Maddie returns home to find her father hallucinating, speaking to his deceased sister Rebecca.
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She calls Dr. Appong, who reassures her and agrees to visit the next day.
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Maddie reflects on her lonely upbringing and the pressure she has carried.
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Her mother calls from Ghana, announces she is returning for a year or more, and suggests Maddie move out.
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Maddie downloads the RentARoom app, considering independence for the first time.
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Katherine has a public meltdown over diary clashes, blaming Maddie.
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Maddie visits Dr. Rana for her back, lying about the cause of her injury.
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At the theatre, Maddie meets Ben Featherstone and gives him her number.
Character Development
Maddie is increasingly overwhelmed by her dual responsibilities as caregiver and employee. Her back pain is a physical manifestation of the strain she carries, and her inability to be honest with Dr. Rana about the true cause—lifting her father—shows her reluctance to admit vulnerability. Her reaction to her father’s hallucination reveals her deep compassion and fear; she comforts him even as she is shaken. The chapter also highlights her internal conflict about independence: she feels a pang of envy when Shu suggests moving out, but immediately feels guilty, showing her sense of duty. Her mother’s suggestion that she move out forces her to confront the possibility of a life outside caregiving, and she begins to entertain the idea, downloading the app. Her inexperience with romance is evident in her anxiety about Ben; she worries about what to say, whether to text or call, and reflects on her lack of practice. This chapter deepens her character by showing her suppressed emotions—she cries in the bathroom, lies to her doctor, and struggles to articulate her feelings.
Shu serves as a contrast to Maddie’s isolation. She is independent, outspoken, and has a stable relationship, yet she also respects Maddie’s privacy. Their phone call reveals the depth of their friendship, even though they don’t see each other often. Shu’s suggestion that they live together plants a seed in Maddie’s mind, though Maddie initially dismisses it.
Maddie’s mother is portrayed as pragmatic and somewhat dismissive of Maddie’s emotional needs. She prioritizes Maddie’s marriage prospects over her caregiving role, and her comment about “loose women” reveals her traditional values. Her decision to return home and take over care is both a relief and a shock to Maddie, who never expected it.
Katherine is shown as a volatile boss who takes out her stress on Maddie. Her meltdown is a turning point in Maddie’s work life, making her dread returning to the office.
Ben Featherstone is introduced as a charming, confident man who shows interest in Maddie. His approach is smooth, and he compliments her name and the costume exhibition. He represents a potential romantic opportunity, but also a source of anxiety for Maddie.
Themes, Symbols, or Motifs
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Caregiving burden: Maddie’s physical pain and emotional exhaustion are central. The cleaning, the hallucination, and her inability to attend the play earlier all illustrate the weight of her role.
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Religious faith: Maddie’s church attendance and her mother’s insistence on faith as a coping mechanism highlight the role of religion in her life. The sermon on Esther and faith is referenced, and Maddie’s mother uses it to dismiss her fears about her father.
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Maternal pressure to marry: Maddie’s mother repeatedly asks if she has met anyone, and her comments about “loose women” and her cousin’s marriage underscore the cultural expectation that Maddie should find a husband.
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Isolation: Maddie is isolated from friends, family, and even her own emotions. She lies to her doctor, cries alone, and reflects on her lonely childhood.
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Independence vs. duty: Maddie’s internal conflict about moving out is a key theme. She feels guilty for wanting independence, but her mother’s suggestion gives her permission to consider it.
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Family secrets: Maddie reflects on the secrets her family keeps, such as her parents’ unusual marriage. This motif hints at deeper mysteries to come.
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Suppressed emotions: Maddie repeatedly suppresses her true feelings—she doesn’t tell Dr. Rana the truth, she cries in the bathroom, and she avoids confronting Katherine.
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Inexperience with romance: Maddie’s anxiety about Ben and her reflection on her lack of romantic experience highlight her vulnerability.
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Romantic possibility: Ben represents a potential new chapter in Maddie’s life, but also a source of fear.
Why This Chapter Matters
This chapter is pivotal because it sets up several major plot threads. First, Maddie’s mother’s decision to return home for a year or more creates the possibility of Maddie moving out, which could fundamentally change her life. Maddie’s download of the RentARoom app signals her willingness to consider independence, a major shift from her earlier refusal. Second, the introduction of Ben Featherstone opens a romantic subplot that will likely develop in subsequent chapters. Maddie’s inexperience and anxiety about dating are established, making her future interactions with Ben significant. Third, the chapter deepens our understanding of Maddie’s emotional state: her father’s hallucination, her boss’s meltdown, and her physical pain all contribute to her sense of being overwhelmed. The chapter also hints at family secrets, particularly around her parents’ marriage, which may be explored later. Finally, the chapter reinforces key themes of caregiving, isolation, and the tension between duty and self-fulfillment, setting the stage for Maddie’s potential transformation.
Study Questions and Answers
1. Why does Maddie lie to Dr. Rana about the cause of her back injury?
Maddie lies because she is ashamed of her caregiving role and does not want to admit that lifting her father caused the injury. She also suppresses her emotions, as she does throughout the chapter, and is not ready to be vulnerable with a stranger. The lie reflects her tendency to hide her struggles and present a facade of normalcy.
2. How does Maddie’s mother’s phone call change Maddie’s perspective on moving out?
Initially, Maddie dismisses Shu’s suggestion to move out, feeling guilty about leaving her father. However, her mother’s announcement that she will return for a year or more and explicitly suggests Maddie move out gives Maddie permission to consider it. Maddie reflects on the possibility of dating, having friends over, and living her own life, and she downloads the RentARoom app, indicating a shift in her mindset.
3. What does Maddie’s reaction to meeting Ben reveal about her character?
Maddie’s reaction reveals her inexperience with romance and her anxiety about social interactions. She worries about talking too much, about what to say, and about whether he will call or text. Her internal monologue shows her lack of confidence and her tendency to overthink. It also highlights her desire for connection, as she is excited by the possibility of a date, but also fearful of the unknown.