Chapter summaries The City and Its Uncertain Walls Haruki Murakami

Chapter 67 Analysis: The Merged Self and Silent Dreams

⚠️ Spoiler Warning: This guide contains detailed spoilers for the entire novel. Proceed only if you've finished reading or are comfortable knowing the plot.

Summary
The narrator wakes the morning after Yellow Submarine Boy bit his left earlobe, expecting a physical mark or a change in his consciousness. He finds no swelling, no pain, and no discernible alteration in his sense of self. Despite the boy’s claim that the bite would merge them into one being, the narrator feels identical to the person he was the night before. He recalls the conversation verbatim and reasons that reality must be chosen from multiple alternatives.

During the afternoon he sits in a dim room, questioning whether the melding actually occurred. If the boy now lives inside him, he should detect some psychological shift, but he finds none. Nevertheless, the boy’s sincerity convinces the narrator the merging is complete.

That evening the narrator goes to the library. The girl examines his earlobe and notes the swelling has vanished completely, remarking that one night’s sleep should not have healed it so thoroughly. The narrator hides the truth about Yellow Submarine Boy, keeping the secret to avoid the Gatekeeper’s punishment.

Once inside, the girl serves herbal tea, and the narrator begins his dream‑reading duties. He notices a change: whereas before he could hear the old dreams’ voices, now he can only feel a faint vibration as they speak. He deduces that Yellow Submarine Boy, now merged with him, is the one who hears the actual words. The narrator’s role becomes simply coaxing dreams out of their shells. This division of labor proves efficient: that night he reads five dreams, far more than the usual two or three. The girl expresses happiness at his progress.

After walking her home, the narrator again asks the boy if he is there, receiving only silence.

Key Events

  • The narrator wakes with a normal earlobe, no sign of the bite.
  • He reviews the previous night’s conversation and concludes that merging must have happened, even if he feels unchanged.
  • He goes to the library and the girl notices the swelling has disappeared.
  • The narrator decides to keep the boy’s existence secret.
  • While reading old dreams, the narrator feels vibrations but cannot hear their voices.
  • He guesses that Yellow Submarine Boy now hears the dream‑stories.
  • He successfully reads five dreams, a record for him.
  • After walking the girl home, he receives no answer from the boy within.

Character Development

  • The narrator: Confronts the possibility that he is no longer a singular self. His acceptance of the merging, despite no sensory evidence, shows a deepening trust in intangible realities. His secrecy marks a shift: he now has something to hide from the girl, straining their open connection. His dream‑reading efficiency grows, but his own role narrows to a facilitator.
  • The girl: She is perceptive about the earlobe’s sudden healing but accepts the narrator’s excuse. Her joy at his improved dream‑reading underscores her hope for the town’s future. She remains an anchor of calm routine.
  • Yellow Submarine Boy: Though not physically present, his influence is the chapter’s engine. The narrator’s theory that the boy now receives the dreams’ voices positions him as an unseen co‑worker. His refusal to answer the narrator’s internal queries leaves his status ambiguous.

Themes, Symbols, or Motifs

  • Merged identity and the porous self: The central theme is the loss of a clear boundary between self and other. The narrator does not feel different, yet the work of dream‑reading splits into two functions, suggesting identity can be both unified and distributed.
  • Silence and incommunicability: The boy’s silence after the merger (no echo, no answer) echoes the broader inability to know another’s mind. The dreams’ voices also become silent to the narrator, shifting comprehension to an inner partner.
  • The clock without hands: The narrator pauses to look at the town’s handless clock, a recurring symbol of timelessness or the failure of conventional measurement. It underscores the chapter’s concern with realities that cannot be clocked.
  • Routine as cover: The girl’s mundane actions (making tea, walking home) mask the narrator’s secret. The repetition “today was a complete repeat of yesterday” suggests how easily a profound change can be hidden beneath unchanged surfaces.

Why This Chapter Matters
Chapter 67 dramatizes the moment when a metaphysical transformation—the narrator’s merger with Yellow Submarine Boy—produces practical effects (reading five dreams) but no subjective confirmation. It deepens the novel’s investigation of whether identity is a matter of internal feeling or external function. The narrator’s new secret estranges him from the girl, planting seeds for future conflict if the Gatekeeper discovers the boy. The shift in dream‑reading mechanics also redefines the narrator’s purpose: he is no longer a lone reader but a conduit for a hidden collaborator.

Study Questions and Answers

  1. Why does the narrator keep the bite and merger a secret from the girl?
    He fears that revealing Yellow Submarine Boy’s existence would trigger the Gatekeeper’s elimination of the boy, and because they are now one, the narrator himself would likely be expelled from the town. Secrecy is survival.

  2. How does the narrator’s dream‑reading ability change after the merger?
    Previously he could hear the old dreams’ voices, albeit faintly. Now he only senses a vibration as they speak; he deduces that Yellow Submarine Boy, inside him, hears the actual content. This allows the narrator to process five dreams in one night, far more than before.

  3. What does the narrator’s repeated question “Are you there?” reveal about his state?
    It shows his uncertainty about the merger’s reality. He expects a reply from the boy but receives only silence, reinforcing the theme that internal otherness may be unknowable. The question also mirrors his earlier doubt about whether he has become “more the real me.”

Navigation