Chapter summaries The Buffalo Hunter Hunter Stephen Graham Jones

Chapter 8: The Absolution of Three-Persons – Summary and Analysis

⚠️ Spoiler Warning: This guide contains detailed spoilers for the entire novel. Proceed only if you've finished reading or are comfortable knowing the plot.

Summary

Four days after hearing Good Stab’s story, Pastor Three-Persons spends the time dissecting the tale. He constructs a rational explanation: Good Stab likely suffered a catastrophic loss (perhaps at Major Baker’s hands), survived a harsh winter alone, and his mind created survival tactics that eventually became indistinguishable from fantasy. Three-Persons lists the fantastic elements he cannot accept—infection by a "Cat Man," blood drinking, enhanced senses, aversion to daylight and solid food, rapid healing, and a torpor after feeding. In a drunken episode, he stumbles around his church, apologizing to the crucifix. He recalls Good Stab hiding the communion wafer in his sleeve rather than eating it, and leaving a bowl of stew untouched to prove his story. Three-Persons then gorges on pease porridge from Minnie Karl, falls ill, but still officiates the funeral of the skinless man. About twenty townspeople attend, including a tall, well-dressed stranger whom Three-Persons later sees escorted by Sheriff Doyle. Good Stab is absent. Three-Persons ends by imagining Good Stab’s approach across the prairie and wishing he had fled.

Key Events

  • Three-Persons spends four days analyzing Good Stab’s tale, trying to separate fact from fantasy.
  • He admits to a drunken evening, spilling sherry and stumbling around his church.
  • He recalls that Good Stab pretended to take communion, actually hiding the wafer in his sleeve and leaving it in the mud.
  • Good Stab refused a bowl of stew during his visit, leaving it untouched on the pew.
  • Three-Persons overeats fried pease porridge from Minnie Karl, leading to illness.
  • Despite his condition, he conducts the funeral of the unnamed skinless man.
  • About twenty townspeople attend, including a tall, dapper stranger with a bowler hat.
  • Sheriff Doyle walks the stranger back into town after the service.
  • Three-Persons lingers at the grave, watching the gravediggers drink.
  • He reflects on Good Stab’s absence and imagines the Blackfeet man’s approach from the prairie.

Character Development

  • Three-Persons: The pastor continues to serve as narrator and skeptic. His attempt to rationalize Good Stab’s story reveals a mind torn between empirical reason and the pull of the supernatural. His drunkenness and gluttony show moral weakness, while his guilt over the mishandled communion host highlights his struggle with faith and duty. By the end, he wishes he had avoided Good Stab entirely, indicating growing fear.
  • Good Stab (offstage): Though not present in this chapter, his actions—hiding the communion wafer, refusing stew—are reexamined by Three-Persons, deepening the mystery. His discipline in resisting food for days underscores the strength of his conviction.
  • The Tall Stranger: Introduced briefly, this well-dressed man with a bowler hat appears at the funeral and is accompanied by Sheriff Doyle. His identity and possible connection to the skinless men or to Good Stab remain ambiguous, suggesting a widening conspiracy.

Themes, Symbols, or Motifs

  • Rationalization vs. Belief: Three-Persons constructs a psychological explanation for Good Stab’s tale, but he cannot fully dismiss the fantastic elements. His own doubt mirrors the reader’s uncertainty about the story’s truth.
  • Communion and Sacrilege: Good Stab’s rejection of the Eucharist symbolizes his refusal to participate in the white man’s religion and his bodily need for blood instead of solid food. The wafer left in the mud becomes a symbol of defiled faith.
  • Isolation and Madness: Three-Persons speculates that Good Stab’s winter alone caused hallucinations that solidified into reality. This motif of isolation distorting perception recurs throughout the novel.
  • The Unnamed Dead: The funeral of the skinless man, with a crowd more interested in mystery than mourning, reflects the town’s commodification of violence and the dehumanization of victims.
  • Alcohol and Gluttony: Three-Persons’ excessive drinking and overeating highlight his lack of temperance and spiritual weakness, contrasting with Good Stab’s disciplined refusal of food.

Why This Chapter Matters

This chapter deepens the central tension between natural and supernatural interpretations of Good Stab’s story. Three-Persons’ rationalizing efforts represent the rationalist perspective, while his inability to dismiss the events suggests the pull of the uncanny. The introduction of the mysterious stranger expands the cast of potential agents in the ongoing mystery of the skinless bodies. The chapter also reinforces key symbols of communion and sacrifice, setting up later confrontations between faith and the monstrous.

Study Questions and Answers

  1. What rational explanation does Three-Persons propose for Good Stab’s story?
    Three-Persons conjectures that Good Stab suffered a catastrophic loss (possibly at Major Baker’s hands), survived a winter alone in the mountains, and that isolation and starvation caused his mind to confuse survival tactics with fantasy. He believes Good Stab eventually took his own stories as unassailable fact.

  2. How does Good Stab’s refusal of the communion wafer and the stew challenge Three-Persons’ faith?
    By hiding the wafer and leaving the stew untouched, Good Stab demonstrates that he cannot or will not consume solid food, aligning with his claim of needing to drink blood. This act forces Three-Persons to acknowledge that his guest’s behavior matches the fantastic tale, undermining his rational skepticism and implicating him in sacrilege for allowing an unbeliever to profane the sacrament.

  3. Who is the tall stranger at the funeral, and why might his presence be significant?
    The stranger is a well-dressed, continental-looking man carrying a bowler hat. He attends the funeral alone and later leaves with Sheriff Doyle. His introduction suggests a new figure within the mystery—possibly a detective, an official, or someone connected to the skinless victims. His refined appearance contrasts with Miles City’s frontier roughness, hinting at outside interests in the case.

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