Chapter 2: 1. 16 July 2012 – Summary and Analysis
⚠️ Spoiler Warning: This guide contains detailed spoilers for the entire novel. Proceed only if you've finished reading or are comfortable knowing the plot.
Summary
The chapter opens in July 2012. A dayworker finds a hundred-year-old journal hidden in a wall of a parsonage being renovated. The narrator, Etsy Beaucarne, a forty-two-year-old single professor at the University of Wyoming, explains that she has been denied tenure because her publication record is insufficient. Her department told her to get a book under contract or leave. The journal, belonging to her great-great-great-grandfather Arthur Beaucarne, offers a path to that book.
Etsy recounts her visit to Montana State University’s Special Collections, where librarian Lydia Ackerman is conserving the fragile artifact. The journal pages are digitized because the original paper is too brittle to handle. Etsy has been reading the entries, fascinated by Arthur’s narrative style. She includes a newspaper article from the Miles City Star (March 26, 1912) that reports a man found dead on the prairie, skinned, his face painted half yellow and half black, and his tongue removed. The article notes locals’ unease and a former sheriff’s speculation that the buffalo calf kill of forty years earlier might be confused with human bodies.
Etsy then presents Arthur’s own journal entry, dated the evening before the article. He receives the news from a parishioner, Martha Grandlin, who says the man was “skinned as if he were an animal.” Arthur goes to the lodging house porch, where the town’s gossip circulates. He questions the regulars—Willem Thomlinsen, Sall Bertram, California Jim, and Early Tate—and learns details: the victim was skinned to the hump, his face painted, his tongue removed. Arthur takes a drink offered by one of the men, feeling both guilt and the fire of his younger years. He notes that the men then withdraw from him, leaving him isolated once more.
The chapter closes in the present. Etsy reveals that Arthur Beaucarne disappeared in 1912, never found. She is transcribing his journal to solve the mystery. She introduces her cat, Taz, who brought her a live prairie dog as a gift, a moment that unnerves her. She ends by saying she will continue reading, hoping to stay connected to the ancestor she never knew.
Key Events
- A construction worker discovers Arthur Beaucarne’s journal in a parsonage wall.
- Etsy learns of the find from librarian Lydia Ackerman and gains access to the digitized pages.
- The tenure committee pressures Etsy to publish a book, making the journal her lifeline.
- Etsy shares a 1912 newspaper article reporting a skinned corpse found near Miles City.
- Arthur’s journal entry details his investigation among the men on the lodging house porch.
- The men confirm the victim was skinned, his face painted yellow and black, and his tongue removed.
- Arthur takes a drink with them, then is ostracized again.
- In the present, Etsy describes her cat Taz’s strange behavior and her feeling of being watched.
Character Development
Etsy Beaucarne emerges as a relatable, struggling academic. She uses the journal to build a publication that might save her career, but she also craves a personal connection to her family history. Her self-deprecating humor (calling herself “the dayworker of Communication and Journalism”) and her vulnerability (confessing she still feels like an awkward seventh grader) make her sympathetic. Her fear of being alone—symbolized by her reluctance to look around when she senses Arthur’s ghost—reveals a deeper anxiety.
Arthur Beaucarne comes through his own writing as a flawed pastor who knows how to manipulate social situations to extract gossip. He admits to past drinking and moral failings, and his careful, observant prose shows both intelligence and a need for atonement. The way he measures his words to fit his audience (playing innocent to get the men to correct him) shows him as a skilled communicator.
Taz the cat is a minor but memorable character. His gifts—dead birds, mice, a live prairie dog—serve as comic relief but also underscore Etsy’s loneliness and her environment’s wildness.
Themes, Symbols, or Motifs
- Journals and Inheritance: The journal is both a physical object linking generations and a metaphor for Etsy trying to inherit a story—and a career—from a past she barely knows. She contrasts Arthur’s rigorous nineteenth-century education with her own struggles to remember phone numbers.
- Violence and the Frontier: The grisly murder of a skinned man evokes the raw brutality of the American West, even in 1912, when civilization supposedly reigned. The newspaper’s attempt to rationalize the corpse as a buffalo calf shows how the community prefers euphemism over truth.
- Academic Pressure: Etsy’s tenure battle is a modern parallel to Arthur’s search for truth. Both are performing for audiences (tenure committee, parishioners) that demand tangible results.
- The Prairie Dog: The live prairie dog in Etsy’s apartment is a symbol of the wild intruding on the tame, much as Arthur’s journal disrupts her orderly academic life. It also hints at the buried history that will surface.
Why This Chapter Matters
Chapter 2 establishes the dual-timeline structure of the novel and introduces the central mystery: what happened to Arthur Beaucarne in 1912, and why was his body never found? The grisly details of the skinned corpse hook the reader while grounding the story in real Montana history. Etsy’s personal stakes—tenure, family legacy, and a desire for belonging—make the historical investigation feel urgent. The chapter also introduces the key historical figure known as “The Fullblood,” who will likely be central to Arthur’s story. By ending with Etsy’s nervous determination to read on, the chapter invites the reader to continue the investigation alongside her.
Study Questions and Answers
1. How does Etsy’s tenure struggle shape her approach to Arthur’s journal?
Etsy needs a book contract to keep her job, so she treats the journal as raw material for an academic publication. However, she also seeks an emotional connection to her family, using the journal to feel close to an ancestor she never knew. This tension between professional ambition and personal need drives her narration.
2. What does Arthur’s interaction with the men on the lodging house porch reveal about his character?
Arthur pretends to know less than he does to coax the men into sharing details, demonstrating his social intelligence. He also accepts a drink, falling back into old habits, which shows his struggle between his clerical role and his past. The men’s eventual withdrawal suggests that, despite his efforts, Arthur remains an outsider.
3. How does the newspaper article differ from Arthur’s journal entry, and what does that suggest about official versus personal accounts?
The newspaper is formal, cautious, and dismisses the corpse as possibly a buffalo calf, preferring not to alarm the public. Arthur’s entry is vivid, personal, and filled with sensory details (the bread and jam, the bottle). Their contrast highlights how official records sanitize violence, while personal narratives confront it directly.