Chapter 22 Summary – Ted's Story and Joar's Secret
SPOILER NOTICE: This page contains detailed analysis of Chapter Twenty-One of My Friends by Fredrik Backman. If you have not yet read the book, proceed with caution.
Summary
On a stalled train, Ted tells Louisa about their shared past. He describes Joar as a boy who never started fights but always finished them, comparing him to a dangerous prisoner in a cell. Ted recalls how Joar dealt with bullies who targeted Ali: instead of violence, Joar called the main bully "Red" until the nickname stuck, causing her to blush involuntarily and stop her harassment. In Ted's basement, the friends discuss superpowers, with Joar wanting strength to protect his mother, Ali wanting to talk to the dead, and the artist wanting to shape-shift. Ted reads superhero quotes, and Joar asks for his favorite from Beta Ray Bill: to make good in the world. Later, Joar rejects the concept of an antihero, arguing that good deeds cannot balance evil. Ted tells Joar he is nothing like his father, but Joar admits he feels nothing when he hits people. Twenty-five years later, Ted reveals that Joar's father was an abuser and that Joar planned to kill him that summer, knowing he would end up dead or in prison. Ted also confesses his own wish to stop time. The chapter closes with the story of Bulldog, a bully Ted locked in a locker, leading to a fight that left Joar injured. Joar explains that he protects Ted because the artist will need Ted one day. The janitor who freed Bulldog had skull tattoos, which later inspired the painting.
Key Events
- Ted explains Joar's reputation: not a troublemaker but one who ends fights decisively.
- Joar stops the bullying of Ali by calling the girl "Red," creating a self-fulfilling prophecy.
- In the basement, the four friends share desired superpowers: Joar (strength), Ali (talk to dead), the artist (shape-shift), Ted (wishes for time control but lies).
- Ted recites superhero quotes; Joar memorizes the Beta Ray Bill line.
- Joar angrily rejects the idea of an antihero, insisting evil cannot be offset by good deeds.
- Ted tells Joar he is not like his father; Joar confesses he feels no regret when hitting others.
- Years later, Ted reveals Joar's father was abusive and that Joar planned to kill him that summer.
- Ted admits his true fantasy: to stop time so his loved ones would not be lost.
- Joar retaliates against Bulldog by tricking him into a locker; later they fight, and Joar is beaten by his father.
- Joar tells Ted he must protect him because the artist will need Ted's loyalty in the future.
- The janitor's skull tattoos are first seen, later influencing the artist's painting.
Character Development
- Ted emerges as the storyteller, finally sharing painful memories with Louisa. His admission of wanting to stop time reveals deep grief and a longing to preserve what he had. He also shows shame and vulnerability when he cries on the train.
- Joar is depicted as fiercely protective but burdened by his violent home life. His rejection of the antihero concept underscores his black-and-white moral code. His plan to kill his father demonstrates a tragic sense of limited time and self-sacrifice.
- Louisa listens and draws, connecting Joar's story to her own loss of Fish. Her sketch pad and defensive reaction when Ted looks suggest she is processing her own grief through art.
- Ali and the artist remain secondary but are shown as victims of bullying and as sources of joy, respectively. The artist's happiness is a motivator for Joar.
- Bulldog represents typical bullying behavior, but Joar's retaliation is more clever than brutal.
Themes, Symbols, or Motifs
- Superheroes and morality: The chapter uses comic-book quotes to explore what makes a hero. Joar insists that doing good does not excuse evil, challenging the idea of an antihero.
- Protection and sacrifice: Joar's violence is always in defense of others, yet it comes at a cost—his father's beatings. He sees his life as disposable in the service of protecting his friends.
- Time and loss: Ted's wish to stop time contrasts with Joar's awareness that his own time is running out. The stalled train becomes a metaphor for being stuck in memory.
- Art as coincidence: Ted's repeated phrase "Art is coincidence" links the janitor's skull tattoos to the eventual painting, suggesting that beauty arises from random events.
- Loyalty as a superpower: Joar tells Ted that loyalty is what the artist will need—a subtle, non-violent form of strength.
- Masks and identity: Ted's Batman quote about wearing a mask to create oneself reflects how each character hides pain behind a persona.
Why This Chapter Matters
Chapter Twenty-One is the emotional core of Ted's recollection. It explains the origin of the painting through the janitor's tattoos and situates Joar's violence not as heroism but as desperation. The revelation of Joar's plan to kill his father reframes his actions throughout the story as a race against time. Ted's vulnerability here deepens his character and connects his present-day sadness to his teenage hopes. The chapter also strengthens the parallel between Louisa's loss of Fish and Ted's loss of Joar, as both characters struggle with grief and memory.
Study Questions and Answers
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Why does Joar reject the concept of an antihero?
Joar believes that evil actions cannot be canceled out by good ones. To him, a character who does bad things is simply a villain, regardless of any occasional good deeds. This rigid moral stance reflects his own fear that he might become like his father. -
What does Ted mean when he says he wanted to stop time, and why does he lie about it initially?
Ted wants to prevent future losses—his father's death, Joar's abuse, and the eventual departure of friends. He lies and says he wants super speed because telling the truth would make him cry, exposing his vulnerability. -
How does the janitor become significant to the story?
The janitor's skull tattoos, seen when he cuts Bulldog out of the locker, plant a visual seed. Ted later notes that without that moment, the artist might never have painted the skulls on the picture, illustrating the motif that art is coincidence.
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