Chapter summaries The Margaret Atwood 4-Book Bundle Margaret Atwood

Chapter 26 Summary & Analysis: Laundry, Butter, and Uneasy Harmonies

⚠️ Spoiler Warning: This guide contains detailed spoilers for the entire novel. Proceed only if you've finished reading or are comfortable knowing the plot.


Summary

After three years in service, Grace reflects on Nancy’s two‑faced personality: one moment demanding and fault‑finding, the next feigning friendship. On a fair day, Grace does the wash, removing stains with lye and chloride of lime, and takes pride in the clean laundry blowing in the wind. Jamie Walsh arrives, offering to run errands; Grace asks Nancy for ox gall, and Nancy sends Jamie on several errands, telling him to return with his flute. At dinner, Grace sits with McDermott, who is sullen. She asks about his dancing, then draws out his life story: he is from Waterford, Ireland, ran away, joined the army, deserted, and worked on boats before enlisting with the Glengarry Light Infantry. He was hired by Nancy but resents taking orders from a woman. Grace later realizes he is older than he claims and is known as a liar. McDermott makes crude advances; Grace rebuffs him. Mr. Kinnear rides to Toronto for his usual Thursday visit. Nancy explains he is considered a bad influence by some. Grace and Nancy make butter, then sit mending together. McDermott performs agile fence‑jumping, which Grace observes slantwise. In the evening, Jamie plays his flute; McDermott listens. Grace falls into a reverie, remembering the ocean crossing and an iceberg. Nancy asks Grace to sleep in her room, afraid to be alone without Mr. Kinnear. Grace locks up and agrees.


Key Events

  • Grace reflects on Nancy’s unpredictable, two‑faced behaviour.
  • Grace does the laundry, successfully removing stains with a bleaching fluid she learned from a previous position.
  • Jamie Walsh offers to run errands; Nancy sends him to the village and invites him to return with his flute.
  • At dinner, Grace coaxes McDermott into telling his life story: Irish origins, army desertion, work on boats, service in the Glengarry Light Infantry, and resentment of Nancy’s authority.
  • McDermott makes a crude remark about “breaking in” Grace; she angrily dismisses him.
  • Mr. Kinnear rides to Toronto, as he does every Thursday, staying overnight.
  • Nancy explains that Mrs. Bridgeford considers Mr. Kinnear a bad influence and does not receive him.
  • Grace and Nancy make butter together, salting and pressing it into moulds with the Kinnear crest and motto “I Live In Hope.”
  • McDermott runs along the snake fence and leaps over it, showing off his agility.
  • In the evening, Jamie plays the flute on the verandah; McDermott listens from the side. Grace wishes the moment could last forever.
  • Fireflies appear; Jamie catches one for Grace to see. She falls into a reverie about her ocean crossing and an iceberg.
  • Nancy, afraid to sleep alone, asks Grace to sleep in her room. Grace agrees after locking up.

Character Development

  • Grace Marks: Her third‑person narration reveals growing sophistication in reading people. She recognises Nancy’s two‑faced nature, manipulates McDermott into opening up, and later regrets showing interest because he misinterprets it. She uses “slantwise” observation, a skill she attributes to servants and women who must see without being caught staring. Her reverie about the ocean and iceberg hints at buried trauma.
  • Nancy Montgomery: Described as “very changeable,” she alternates between bossy and confiding. She is affable when Mr. Kinnear is absent, but “jumpy as a cat” when he is present and Grace is nearby. She openly shares gossip about Mr. Kinnear’s reputation and half‑brother, yet remains wary when alone at night.
  • James McDermott: His background emerges as a mix of bravado and resentment. He is proud of his past mischief, but vulnerable when speaking of his mother. He resents Nancy’s authority and behaves like a “tamed wolf.” His crude advance toward Grace shows his predatory side, yet he quickly apologises, revealing a desire for her approval.
  • Jamie Walsh: Shy and polite, he removes his hat and offers to buy things for Grace. His flute playing provides the evening’s harmony, and he catches a firefly for Grace, showing his gentle nature.
  • Mr. Kinnear: Absent for most of the chapter but discussed. He is outgoing, idle in his own view, and considered a bad influence by Mrs. Bridgeford. His weekly trips to Toronto hint at unrevealed business.

Themes, Symbols, or Motifs

  • Observation and Deception: Grace describes seeing “slantwise” – a theme of indirect perception used by servants and women. She watches McDermott’s fence‑jumping while pretending not to, and Nancy’s moods are read carefully. The chapter critiques the performance of politeness.
  • Cleanliness and Order: The detailed laundry scene – removing stains, bleaching – links physical cleanliness to moral order (“cleanliness is next to Godliness”). Grace’s pride in the wash parallels her efforts to keep her inner life unstained.
  • Memory and Reverie: The firefly triggers a memory of the ocean crossing and an iceberg, introducing a chill despite the warm evening. This foreshadows later revelations about Grace’s past and the violence to come.
  • Harmony and Disruption: The evening flute music creates a fragile harmony among servants and their mistress. Grace wishes for it to last forever, but the sunset and deepening darkness imply inevitable change. The “tamed wolf” McDermott looms at the edges.
  • Class and Servitude: Grace’s reflections on Nancy’s inconsistent behaviour illustrate the difficulty of serving someone who blurs class boundaries. McDermott’s resentment of a female overseer highlights gendered power struggles among servants.

Why This Chapter Matters

Chapter 26 deepens the atmosphere of unease at Mr. Kinnear’s house through seemingly domestic details. The laundry, butter churning, and mending are not mere background; they anchor Grace’s perspective and reveal the tensions beneath the surface. McDermott’s life story explains his volatility and foreshadows his role in the coming tragedy. The evening of flute music and fireflies stands as a brief moment of peace that Grace herself knows cannot last – a poignant contrast to the violence that will soon erupt. The chapter also reinforces the novel’s themes of hidden observation and the unreliability of memory, as Grace’s reverie of the iceberg suggests a past she has not fully confronted.


Study Questions and Answers

1. How does Grace use “slantwise” observation in this chapter, and what does it reveal about her character?
Grace watches McDermott run along the fence and leap over it while pretending not to. She later reflects that ladies use fans, veils, and sidelong glances to see without being caught, but she, as a servant, sees even more without such props. This shows Grace as an astute, self‑aware observer who understands the power dynamics of looking and being looked at.

2. What does McDermott’s life story reveal about his character and his potential for violence?
McDermott describes himself as a “scapegrace” who ran away from home, deserted the army, and worked on boats. He joined the Glengarry Light Infantry, a regiment known for burning farmhouses and mistreating civilians during the Rebellion. He resents being under Nancy’s authority. The story paints him as proud of his lawless past, quick to take offense, and accustomed to violence – suggesting a capacity for the murder that will later occur.

3. Why does the evening of flute music and fireflies create such a strong impression on Grace?
The scene offers a rare moment of beauty and harmony among Nancy, Jamie, McDermott, and Grace. Grace wishes it could last forever, but she immediately reflects that “the sun cannot be stopped.” The fleeting peace, combined with her reverie about the iceberg, underscores her awareness of life’s fragility and the impending doom she cannot articulate. This foreshadows the disruption of the household.


Navigation