Chapter 39: Grace – Eleven Years Earlier
⚠️ Spoiler Warning: This guide contains detailed spoilers for the entire novel. Proceed only if you've finished reading or are comfortable knowing the plot.
Summary
The chapter opens on a bright day in San Francisco’s Chinatown as the community prepares to welcome Madame Chiang Kai-shek, China’s first lady, on a wartime tour. Grace Hu, a young mother, has staked out a spot on Grant Avenue with her mother, her two-year-old son Eddie, and her six-year-old daughter Lily. Grace’s husband, Dr. Joseph Hu, is serving in the U.S. Army in China, and she feels a surge of optimism that Madame Chiang’s visit will increase American support for China’s fight against Japan. The motorcade passes without stopping—Madame Chiang merely waves a handkerchief from inside the limousine—but the crowd remains jubilant.
That afternoon, Grace volunteers as a chaperone for a children’s parade through Civic Center. Lily and her friend Shirley wear matching sky-blue silk outfits; Grace feels the weight of representing young Chinese Americans. As the parade nears City Hall, the cheering is deafening. Grace notices a warplane towing a target sleeve—a jarring reminder of the ongoing conflict. Afterward, the Hu and Lum families share dinner at the Lums’ apartment above their restaurant. The men speak boisterously about the war, while Grace, her mother, and Ruby Lum exchange more measured remarks about whether America will truly aid China. Grace admires Madame Chiang’s intelligence and beauty, but Ruby questions whether Caucasian leaders will listen to a Chinese woman. The chapter closes with Lily and Shirley standing on an ottoman, waving white napkins at the dark street below, mimicking the first lady’s gesture.
Key Events
- Grace and her family watch Madame Chiang Kai-shek’s motorcade pass through Chinatown; the first lady does not exit the limousine.
- Grace reflects on her husband Joseph’s deployment to China with the U.S. Army and her hope that Madame Chiang’s tour will secure more American aid.
- Grace helps lead a children’s parade through Civic Center; she spots a warplane towing a target practice sleeve, which dampens her mood.
- The Hu family joins the Lums for dinner; Grace and Ruby Lum discuss the limits of Madame Chiang’s influence on white American policymakers.
- Lily and Shirley imitate Madame Chiang by waving napkins out the window, underscoring the symbolic power of the first lady for the next generation.
Character Development
- Grace Hu: This chapter reveals Grace’s complex identity as a Chinese wife living in America while her husband fights for China. She feels pride in his service but also isolation, having been separated from his extended family by the war. She struggles with economic envy of the Lums and a quiet resentment of her own mother’s presence, yet she maintains a hopeful public face for her children.
- Lily Hu: At age six, Lily is excited by the pageantry and already absorbing the lesson that Madame Chiang represents an important Chinese woman. Her imitation of the handkerchief wave presages her own later interest in identity and belonging.
- Ruby Lum: A pragmatic friend, Ruby voices skepticism about whether a Chinese woman’s speech can sway American leaders, contrasting with Grace’s idealistic view. She embodies a more grounded, community-focused approach to survival.
- Grace’s mother: She interjects a cynical comment about beauty being the real reason for Madame Chiang’s popularity, showing the older generation’s wariness of public performance.
Themes, Symbols, or Motifs
- Motherhood and Nationalism: Grace’s care for her children is intertwined with her hope for China’s future. She volunteers for the children’s parade to demonstrate the community’s loyalty to both China and America.
- Performance and Visibility: Madame Chiang’s staged appearances—the handkerchief wave from a closed limousine—mirror the performative identity that Chinese Americans must adopt to gain acceptance. The children’s imitation of her gesture suggests that this performance is passed down.
- War’s Dual Presence: The celebratory parade is juxtaposed with the warplane overhead. The target sleeve is a stark symbol of military training and the real violence in China, undercutting the festive mood.
- Class and Social Hierarchy: Grace internally compares her status as a doctor’s wife to the Lums’ restaurant family, acknowledging that in America, the usual Chinese class distinctions do not hold. This tension reflects the community’s struggle to define success in a new country.
Why This Chapter Matters
Chapter 39 is the only extended look at Grace’s perspective in the novel. It grounds the main storyline in the specific historical moment of 1943–1944, when Chinese Americans were fighting for recognition of their dual loyalties. Grace’s hopes and doubts about Madame Chiang’s influence foreshadow the disillusionment that many Chinese Americans felt after the war when U.S. support waned. The chapter also deepens our understanding of Lily’s family background: Lily grows up with her mother’s memory of this hopeful, organized community, which contrasts with the more dangerous, underground world of the Telegraph Club that Lily seeks in the present.
Study Questions and Answers
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How does Grace’s attitude toward Madame Chiang differ from Ruby’s, and what does this reveal about Grace’s character?
Grace sees Madame Chiang as a symbol of Chinese pride and American integration, believing her charm can persuade President Roosevelt to send more aid. Ruby is more skeptical, arguing that the first lady’s beauty and American polish are what white audiences admire, not China itself. This contrast shows Grace’s idealism and her need to believe in a positive outcome for her husband’s war effort. -
What does the warplane and target sleeve signify in the context of the parade?
The warplane towing a target sleeve is a jarring reminder of the war’s reality. It suggests that while the community celebrates Madame Chiang’s visit, the nation is actively preparing for combat. For Grace, it triggers a sudden drop in mood, linking the patriotic display to the danger her husband faces. -
Why are Lily and Shirley waving napkins out the window at the end of the chapter?
They are imitating Madame Chiang’s handkerchief gesture from the motorcade. This act shows how the children have internalized the first lady’s symbolic importance. It also connects the public performance of nationalism to the private, domestic space of the Lum home, highlighting how community rituals shape the younger generation’s sense of identity.