Symbols A Day of Fallen Night Samantha Shannon

The Orange Tree: Symbol of Knowledge, Sacrifice, and Eternal Guardianship

What Is the Orange Tree?

The orange tree is the sacred, ancient tree at the heart of the Lasian Basin, tended by the sisters of the Priory of the Orange Tree. Its fruit glows with an inner light and grants whoever eats it the sacred flame – the power to wield fire and gain unnaturally long life. However, that gift comes with a terrible price: eventual immolation, as the fire consumes the eater from within. According to the founding myth recounted within the novel, Princess Cleolind Onjenyu ate from the tree during her battle with the Nameless One, which gave her the strength to drive the beast into the earth and then withdraw to guard the tree forever. The tree is thus both a source of salvation and a chain of duty.

Where the Symbol Recurs

The orange tree appears at several key moments in A Day of Fallen Night:

  • Chapter 8 (3 South): Siyu uq-Nāra climbs the tree – an act of sacrilege – and leaps from a branch into the river, horrifying Tunuva and the other sisters. The episode underscores the younger generation’s waning reverence for the tree’s sanctity.
  • Chapter 11 (6 South): Siyu tells Tunuva the story of Cleolind and the tree, reinforcing the Priory’s core myth. The tale emphasises the tree as the source of victory over the Nameless One and the reason for the sisters’ eternal watch.
  • Chapter 13 (8 South): Tunuva performs the ritual of eating the fruit – peeling the orange, setting aside the peel to bury, and letting the siden (magic) pour through her. The act renews her bond with the Priory and replenishes her power.
  • Chapter 30 (25 South): High Ruler Kediko Onjenyu belittles the Priory and its tree, refusing to see the Nameless One as a genuine threat. The tree here becomes a symbol of an outdated institution in his eyes.
  • Chapter 47 (42 South): During Esbar’s investiture as Prioress, she receives an amber necklace made from the tree’s sap and the death cloak soaked in the Nameless One’s blood. The tree’s products are woven into the ceremony of succession.
  • Chapter 58 (53 South): Esbar researches a potential cure for the Curse of Yikala using distilled orange-blossom essence, showing the tree’s more practical, healing properties.

How Its Meaning Changes

Initially, the orange tree appears as a mythic artefact – a divine source of power and salvation. Cleolind’s story frames it as a gift from the earth that enables the defeat of an apocalyptic evil. Over centuries, the tree becomes a symbol of the Priory’s unchanging duty and the heavy burden of guardianship. Tunuva’s ritual consumption is both a comfort and a reminder of the sacrifice required: she knows the fruit will eventually consume her.

Siyu’s defiance – climbing the tree and leaping into the river – transforms the tree into a symbol of imprisonment. For her, the Priory is a cage, and the sacred tree is the centre of that cage. Saghul’s warning that some would “drink of the sweet wine until they drowned” connects the tree to the danger of unrestrained freedom.

Later, the tree’s products (amber, essence) are used for practical purposes – anointing a new Prioress, seeking a cure for plague. This shift suggests that the symbol can adapt: the tree is not only a relic of the past but a living resource that sustains the Priory’s mission. However, the core meaning remains one of sacrifice and the price of eternal watchfulness.

Character and Theme Connections

Characters:

  • Tunuva Melim embodies the tree’s meaning of duty. She faithfully performs the ritual, serves as tomb keeper, and urges others to respect the tree. Her personal grief (the death of her birthson) and her eventual decision to leave the Priory to find her lost son show the tension between her guardianship and her personal desires.
  • Siyu uq-Nāra represents the rebellious youth who sees the tree less as sacred and more as a barrier to her freedom. Her climb is a pointed rejection of the old ways, yet she later returns to the Priory, suggesting that the tree’s pull – and the duty it represents – cannot be easily escaped.
  • Esbar du Apaya uq-Nāra as Prioress is the steward of the tree’s legacy. Her investiture ceremony uses the tree’s amber and sap, linking her authority directly to its power. She also seeks practical uses for the tree (orange-blossom essence) to combat the plague, blending tradition with innovation.
  • The character of Canthe, an outsider with sterren magic, has no direct bond to the tree, which underscores the contrast between the Priory’s earth-based magic and her star-based power.

Themes:

  • Duty versus personal desire: The tree demands everything from its guardians. Tunuva’s internal conflict between her role and her longing for her lost son is a direct consequence of the tree’s burden.
  • Motherhood and sacrifice: Cleolind became the first mother of the Priory by sacrificing her throne and her life. Tunuva’s loss of her birthson and her later journey to find him echo that sacrifice.
  • Power of myth and historical narrative: The story of Cleolind and the tree is the founding myth that sustains the Priory. When characters like Kediko dismiss it, the social order weakens.
  • Secrecy and identity: The tree is hidden from the outside world, and the Priory’s very existence is a secret. Siyu’s public act of climbing threatens that secrecy.
  • Balance of natural forces: The tree is tied to the earth’s fire magic (siden). Its fruit gives the ability to counter the Nameless One, showing that balance must be maintained through sacrifice.

Study Questions

  1. How does Siyu’s act of climbing the sacred orange tree challenge the Priory’s core values?
    Siyu’s climb is a deliberate sacrilege because the tree has never been defiled in centuries. It shows her lack of reverence for the Priory’s traditions and her desire for personal freedom. Tunuva’s horror and the other sisters’ flinty gazes reveal that the act threatens the entire community’s sense of sanctity and duty. Siyu later apologises and returns, suggesting that the tree’s authority ultimately cannot be rejected without consequence.

  2. What is the significance of Tunuva’s ritual consumption of the fruit in Chapter 13?
    Tunuva eats the orange to renew her siden and her connection to the Priory. The ritual includes peeling the fruit, burying the peel, and letting the fire consume her temporarily. The act is both a physical replenishment and a spiritual reaffirmation of her commitment to guard the tree and await the Nameless One. It also reminds the reader that every sister who eats the fruit accepts the eventual immolation – a sacrifice Tunuva willingly makes, even as she privately grieves her lost child.

  3. How does Kediko Onjenyu’s rejection of the Priory’s authority change the tree’s symbolic weight?
    Kediko dismisses the orange tree and the Priory as outdated, refusing to believe in the Nameless One’s return. In his view, the tree is no longer a source of protection but a symbol of a separatist sect that defies Lasian law. His attitude weakens the alliance between Lasia and the Priory, showing that when the myth loses its power, the tree becomes merely a political pawn. The threat of the Dreadmount eruption becomes more dangerous because the High Ruler no longer sees the tree’s guardianship as necessary.

  4. In what ways does the orange tree represent both protection and imprisonment for the sisters?
    The tree protects the world from the Nameless One by empowering the sisters to stand against him. Its fruit gives them long life and the sacred flame. However, that same gift binds them to a life of seclusion in the Lasian Basin, forbidden to marry or leave freely. Saghul’s metaphor of the wine cup – “some would drink of the sweet wine until they drowned” – captures the danger. For Siyu, the tree is the centre of a cage; for Tunuva, it is both a purpose and a lifelong burden. The Priory’s existence is defined by the tree, leaving no room for personal ambition outside that orbit.