Chapter 73 Summary: The Savoy Plan and Freemasons’ Hall
⚠️ Spoiler Warning: This guide contains detailed spoilers for the entire novel. Proceed only if you've finished reading or are comfortable knowing the plot.
Summary
Strike arranges to meet Bijou at the Savoy for a DNA test, giving her detailed instructions to evade any surveillance. He then meets his old friend Graham Hardacre at the Freemasons’ Arms pub, where Hardacre shares intelligence about Niall Semple’s anger over his friend Ben Liddell’s death in a botched military operation. The pair visit the museum and Temple Seventeen at Freemasons’ Hall, learning that the museum had previously attempted to bid on Alexander Hughson Murdoch’s silver. Strike considers that the overt masonic references in the case are likely misdirection, while noting the significance of the acronym GAOTU and the symbolic use of bridges in masonic ritual.
Key Events
- Strike phones Bijou and outlines a plan to obtain a DNA sample from her baby at the Savoy Hotel. He instructs her on counter‑surveillance tactics, including using different lifts, pressing a decoy floor, and staying in the room for two hours afterward.
- After the call, Strike weighs Ted’s fisherman’s priest and thinks about the potential scandal if Dominic Culpepper learns about his connection to Bijou.
- Pat tells Strike that the “Scottish Gateshead” woman has called again, angry and swearing about an engineer and people out to get her. Strike notes the details and asks Pat to try to get contact information.
- Strike meets Hardacre at the Freemasons’ Arms. They discuss Niall Semple’s animosity toward the Regiment after Ben Liddell’s death and Semple’s threats of press exposure.
- Hardacre explains the masonic acronym GAOTU (Great Architect Of The Universe) and the symbolic bridge in the fifteenth‑degree ritual, which involves crossing over a river with floating body parts.
- Hardacre describes the Albert Pike quotation: “Masonry does not change human nature, and cannot make honest men out of born knaves.”
- The two visit the museum at Freemasons’ Hall. Hardacre learns from a shop assistant that the museum had been interested in bidding on Murdoch’s silver but lost out to Ramsay Silver.
- They enter Temple Seventeen, which is set up for a rite with banners, tools, and geometric objects. Strike notes the chained swan (symbol of Buckinghamshire) and the ashlars.
- Hardacre confirms that masonic daggers are easily bought online, and that changing lodges is not uncommon.
- As they leave, Strike mentally files away GAOTU, the chained swan, and the meaning of bridges for later consideration.
Character Development
- Strike demonstrates his meticulous planning and ability to think several steps ahead when orchestrating the Savoy meeting. He is short‑tempered with Bijou but remains focused on the goal. His distrust of overt masonic signifiers grows, reflecting his methodical approach to the case.
- Hardacre is presented as a reliable, good‑humoured friend who is willing to share sensitive information despite the risk to himself. He balances insider knowledge with a sceptical view of masonic dogma.
- Bijou appears anxious but cooperative, though Strike’s irritation with her suggests ongoing tension in their relationship.
- The brief appearance of Pat reinforces her role as the agency’s gatekeeper, handling difficult callers with blunt efficiency.
Themes, Symbols, or Motifs
- Deception and Surveillance: The elaborate plan to shake off a tail at the Savoy highlights how both the agency and its targets rely on counter‑surveillance. Strike’s instructions mirror the tradecraft used throughout the novel.
- Masonic Symbolism as Misdirection: The chapter reinforces the idea that blatant masonic clues – the dagger, the references to GAOTU, the bridge – are deliberate distractions. Hardacre’s comment that no genuine mason would brandish a dagger in public supports this.
- Sacrifice and Betrayal: Hardacre’s explanation of the masonic bridge quotation (“The retreating general may cut away a bridge…”) parallels Semple’s anger over Ben Liddell being sacrificed. This motif ties Semple’s personal grievance to a masonic archetype.
- Secrecy and Brotherhood: The tension between masonic ideals of fraternity and the reality of human nature is discussed explicitly, with Hardacre quoting Albert Pike to underline that masonry does not change innate character.
Why This Chapter Matters
- It advances the DNA‑test subplot, which will be critical for establishing Strike’s paternity or otherwise.
- It provides new background on Niall Semple’s motivation: his fury over Ben Liddell’s death suggests a revenge‑driven agenda, possibly linked to his interest in Freemasonry.
- It deepens the novel’s investigation of masonic culture, showing both its rituals and its internal contradictions, while suggesting that the surface‑level clues are likely red herrings.
- The chapter ends with Strike collecting mental notes (GAOTU, chained swan, bridges) that will inform his future deductions.
Study Questions and Answers
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What is Strike’s primary objective in this chapter, and how does his plan address the risk of surveillance?
Strike’s objective is to obtain a DNA sample from Bijou’s baby without her former lover’s knowledge. He books a room at the Savoy and instructs Bijou to use a specific lift, press a decoy floor, and stay in the room after the swab to maintain a cover story. This layered approach is designed to shake any tail and prevent the meeting from being linked to a paternity test. -
What does Hardacre reveal about Niall Semple’s state of mind, and how might this connect to the masonic elements of the case?
Hardacre reveals that Semple was extremely angry about the death of his friend Ben Liddell in a botched operation and threatened to expose the Regiment. Hardacre also explains the masonic bridge allegory, which describes sacrificing a detachment to save the main army. This parallels Semple’s belief that Liddell was sacrificed, giving a possible masonic lens to his grievance. -
Why does Strike consider the overt masonic references in the case to be misdirection?
Hardacre argues that no genuine Freemason would brandish a masonic dagger in public, and that the ritual objects and symbols are easily accessible to outsiders. Strike agrees, noting that the explicit clues (the dagger, the GAOTU caller, the bridge) point too obviously to Freemasonry, making them likely planted by someone trying to frame the organisation or divert suspicion.