Characters Soul Searching Lyla Sage

Clarke Cartwright: The Anchor of Sweetwater Peak

Overview

Clarke Cartwright is the twin sister of protagonist Collins Cartwright and the proprietor of Toades, the family’s antiques shop in Sweetwater Peak. While Collins drifts through life and the supernatural world, Clarke roots herself in the tangible: the shop, the family home, and the rituals of daily small‑town existence. Her role as the responsible sibling creates both tension and love between the twins. Over the course of Soul Searching, Clarke moves from guarded resentment to vulnerable reconnection, ultimately helping Collins recover her lost connection to the ghost community.

Plot Role

Clarke’s primary function in the novel is to anchor Collins to Sweetwater Peak. It is Clarke who insists Collins go to work at Brady’s upholstery shop (Chapter 3), who drives her into town, and who carries the weight of the family business while Collins has been away. The threat of a developer buying their parents’ shop – a crisis Clarke has been handling alone – is the catalyst that forces Collins to return home in the first place. Clarke’s frustration with Collins’s emotional distance comes to a head in Chapter 12, where she confronts her sister. Their reconciliation in the “Lady in White” ritual (Chapter 34) is the story’s emotional turning point, proving that the twins’ bond can survive secrecy and hurt.

Motivations and Traits Shown Through Actions

Clarke is defined by a sense of duty. She runs Toades daily, installs a dog door for Pearl, and takes charge of the developer situation without expecting help. Her confrontation in Chapter 12 reveals her deep need to be seen and supported: she tells Collins she is “sick of being the one who has to hold everything together.” This is an explicit fact from the dialogue. From her actions, we see she is perceptive (she notices Collins’s evasions) and, despite her anger, she still packs Collins a lunch and checks in. Her willingness to participate in the sheet‑and‑secret ritual shows she remains open to wonder and to the supernatural gift she normally keeps at arm’s length.

Interpretation: Clarke treats her ability to see ghosts as background noise—a contrast to Collins’s immersion—which suggests she copes by compartmentalizing. Her choice to set rules for interacting with spirits (waiting for them to approach first) reflects a personality that values order and caution.

Chronological Arc

  • Early chapters (1–3): Clarke is the practical caretaker. She drives Collins to Brady’s, discusses the ghost orb calmly, and steers family dinner conversations. She hides her worry about the developer, already carrying the burden.
  • Chapter 12: The rift erupts. At their parents’ house, Clarke accuses Collins of being absent and indifferent. Collins retaliates and slams the door, deepening the estrangement.
  • Chapter 23: Collins initiates an apology at Clarke’s house. Clarke accepts it, and they begin discussing the developer threat together. Collins notices Clarke has been talking to Wilder Wilkes (a ghost), hinting that Clarke is using her abilities more actively.
  • Chapter 34: The Lady in White ritual. The twins sit under a sheet, exchange secrets, and successfully summon Earnest – and even Adeline Bennett. Clarke learns Collins lost her ability to hear ghosts, and Clarke shares her own secret. Their bond is repaired, and Collins hears Earnest’s voice again.
  • Epilogue: A photograph from Clarke shows an engagement ring, suggesting a new chapter for her life.

Relationships

With Collins

Clarke and Collins share a deep twin bond, but it is strained by Collins’s year‑long absence. Clarke feels abandoned and undervalued, as she makes explicit in Chapter 12. The reconciliation comes through vulnerability: Collins admits her abilities faded, and Clarke admits she has been communicating with a ghost. The shared ritual under the sheet—a childhood game that finally works—symbolises their restored trust.

With Parents (Dex and Joanie)

Clarke remains close to her parents, visiting often and helping with preserves. She is protective of their legacy and dreams of keeping Toades alive. When Dex and Joanie consider selling to a developer, Clarke’s distress is profound; she sees it as a threat to her own future.

With the Ghost Community

Unlike Collins, Clarke maintains boundaries with spirits. She does not initiate contact, and she treats the ability as a low‑buzz white noise. Yet she still participates in rituals and eventually talks to Wilder Wilkes, showing she has not abandoned the gift, only manages it differently.

Key Decisions and Consequences

Decision Consequence
Staying in Sweetwater Peak to run Toades Builds a stable life but also isolates her from Collins and creates resentment over uneven responsibility.
Confronting Collins about emotional distance (Ch 12) Temporarily breaks their relationship, but forces both twins to face the truth. Without the fight, the later reconciliation might never have happened.
Participating in the Lady in White ritual Reconnects the twins; allows Collins to hear ghosts again; reveals Clarke’s secret about Wilder Wilkes.
Accepting Collins’s apology Opens the door for collaborative problem‑solving against the developer and cements a new, more equal partnership.

Theme and Symbol Connections

  • Home and Belonging (theme link): Clarke embodies the theme of rooting oneself in a place. Toades is not just a shop; it represents her sense of purpose and continuity.
  • Small‑Town Community vs. Corporate Development (theme link): Clarke’s fight to preserve Toades against the developer’s offer makes her the frontline defender of Sweetwater Peak’s character.
  • Vulnerability and Trust (theme link): Clarke’s arc is about learning to let down her guard. She hides her hurt until it explodes, but eventually trusts Collins enough to share secrets under the sheet.
  • Ghosts and the Supernatural (theme link): Clarke’s relationship with the ghosts is one of managed coexistence. She uses rituals and rules to keep the supernatural from overwhelming her daily life.
  • Photography and Identity (theme link): While identity through photography belongs more to Collins, Clarke’s identity is equally constructed through Toades and the history of the objects she sells.

Questions and Answers

  1. Why does Clarke resent Collins’s return to Sweetwater Peak?
    Clarke feels she has been handling everything alone—the shop, the developer threat, family worries—while Collins stayed away. In Chapter 12 she says Collins expects her to “push all of the obstacles out of the way.” Her resentment is rooted in exhaustion and the sense that Collins does not see her efforts.

  2. How does Clarke’s way of handling ghosts differ from Collins’s?
    Clarke sets firm rules: she never initiates conversation with a spirit; she waits for them to approach. She describes the ability as “turning down the volume so low,” whereas Collins immerses herself in the ghost world. This difference reflects their personalities—Clarke prefers order, Collins embraces chaos.

  3. What secret does Clarke reveal under the sheet during the Lady in White ritual?
    She admits she has been talking to Wilder Wilkes, the ghost of her childhood crush’s deceased father. This surprises Collins because it shows Clarke has been actively using her abilities in a way Collins had not expected.

  4. How does the developer threat motivate Clarke’s actions in the story?
    The developer’s offer to buy Toades and the adjacent properties crystallises Clarke’s purpose: she must protect her parents’ livelihood and her own dream. It is the reason she asked Collins to come home, and it drives her to work with Collins and Cam to build a legal case against Sullivan Industries.

  5. Does Clarke fully forgive Collins by the end of the book?
    Yes. The Lady in White ritual and Collins’s honest apology pave the way for genuine reconciliation. In the epilogue, Clarke sends Collins a playful photo with an engagement ring, indicating she has moved forward, trusting that Collins will remain present in her life.