Chapter 45 Summary: Nikolai — Key Events and Analysis
⚠️ Spoiler Warning: This guide contains detailed spoilers for the entire novel. Proceed only if you've finished reading or are comfortable knowing the plot.
Summary
The peace summit opens in Os Kervo's city hall, with the Ravkan and Fjerdan delegations entering simultaneously through separate doors so neither nation appears to take precedence. Nikolai and Zoya take their places beneath the stained-glass dome, surrounded by the assembled nobles, diplomats, and mediators. Zoya immediately notes that Nina looks shaken, despite having apparently succeeded in bringing Prince Rasmus to the summit.
Nikolai studies the Fjerdan party: Brum, calm despite his recent defeat and near mutiny, flanked by a carefully chosen group of drüskelle; Prince Rasmus, young and radiating nervous energy; and, to Nikolai's discomfort, his parents and Vadik Demidov, the man who resembles the old king. Seeing them together is painful, and Nikolai wonders whether his mother came willingly or was coerced. He reflects on his precarious position—he has allies among Ravka's nobles, but many oppose his reforms, and the people who genuinely support him are outside in the square, not inside the chamber. He briefly imagines a future as Sturmhond again, returning to the sea, but the thought of leaving Zoya behind gives him pause.
The Zemeni ambassador opens negotiations and gives Nikolai the floor. Nikolai immediately challenges Brum's proposed concessions as absurd and intentionally obstructionist, pointing out that Fjerda just suffered a crushing defeat. Brum counters that a battle is not a war and that Fjerda must be protected from what he calls witches and demons, referencing the monster Nikolai became on the battlefield. Nikolai acknowledges his dual nature—both man and monster—and defends Zoya's power with a comparison to the first man who held a gun.
The Kerch delegate, Hiram Schenck, delivers a blatant insult by questioning whether Nikolai can even speak for Ravka given his uncertain parentage. Brum seizes on this, rejecting Nikolai as a pretender who cannot legitimately hold the throne. When the Zemeni ambassador asks to hear from Fjerda's crown prince, Rasmus surprises everyone by declaring that he came to make peace and that who rules Ravka will be decided by Ravkans. Nina is stunned.
Rasmus then tests Brum's authority by asking his young drüskelle bodyguard, Joran, whether he would take up arms against his brothers. Joran refuses, stating he would never fight a woman he considers a Saint, and accepts that he deserves death for crimes committed in Fjerda's name. Brum is visibly furious at this defiance from within his own ranks.
Brum demands that the dowager queen testify about Nikolai's birth. Nikolai refuses to put his mother through that ordeal and instead confesses openly: he is a bastard, has always known it, and is not sorry. He renounces the Lantsov name, arguing that Lantsov kings failed Ravka—one allowed the Fold to be created, another abdicated rule to the Darkling and the Apparat. He then argues that Demidov has no more right to the throne than he does, and proposes that the assembled nobles decide who should rule.
Zoya protests that this gives legitimacy to Fjerda's interference, but Nikolai proceeds. He opens the shutters to reveal the crowds outside chanting for Sankta Zoya, and kneels, declaring the Lantsov dynasty over and hailing the Nazyalensky dynasty and the Dragon Queen. Count Kirigin is the first to shout support, followed by others. Some nobles leave in anger, and Nikolai knows dissent is already brewing. Zoya, furious at being thrust into this position, threatens to murder him in his sleep. Nikolai winks and tells her to say something grand.
Key Events
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The peace summit convenes with both delegations entering simultaneously to avoid any appearance of precedence.
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Nikolai sees his parents and Vadik Demidov with the Fjerdan delegation, and Nina appears to be in shock.
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Nikolai and Brum trade accusations about the war, with Brum invoking the monster Nikolai became on the battlefield.
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Hiram Schenck insults Nikolai's parentage, and Brum rejects him as a pretender.
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Prince Rasmus declares he came to make peace, defying Brum's agenda.
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Joran, Rasmus's young drüskelle bodyguard, refuses to fight Zoya and accepts execution.
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Brum demands the dowager queen testify about Nikolai's birth.
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Nikolai confesses he is a bastard, renounces the Lantsov name, and argues Demidov has no more right to the throne.
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Nikolai proposes the nobles decide Ravka's ruler, then opens the shutters to reveal crowds chanting for Zoya.
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Nikolai kneels, declares the Lantsov dynasty over, and hails Zoya as the Dragon Queen.
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Nobles shout support (Kirigin first), though some leave in anger.
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Zoya furiously threatens Nikolai.
Character Development
Nikolai makes the defining choice of his arc: he gives up the throne not out of defeat but out of conviction. His confession is framed not as shame but as liberation—he never wanted to be a Lantsov, and he separates himself from a legacy of failed kings. His priority is clearly his country over his crown, and he is willing to risk everything, including Zoya's fury, to secure Ravka's future.
Zoya is thrust into power without consultation, and her anger is both personal and political. The crowds' chanting confirms her status as a beloved figure, but she is furious at Nikolai for making the decision for her. Her threat to murder him in his sleep is a reminder that their partnership is built on sharp edges.
Brum loses control visibly. Rasmus defies him, Joran refuses to fight, and his attempt to use Nikolai's parentage as a weapon backfires. His authority crumbles in front of the assembled delegates.
Rasmus shows independence from Brum, demonstrating that he has his own agenda for peace. His quiet defiance reshapes the summit's dynamics.
Joran shows moral courage, accepting death rather than fighting someone he considers a Saint. His willingness to face consequences for his past crimes stands in stark contrast to Brum's refusal to acknowledge any wrongdoing.
Themes, Symbols, or Motifs
Abdication and renunciation: Nikolai's confession and renunciation of the Lantsov name is the chapter's central act. He reframes bastardy as freedom rather than shame.
Legitimacy of rule: The chapter asks what makes a ruler legitimate—birth, or earned authority. Nikolai argues that his victories and sacrifices outweigh his uncertain parentage, while Brum insists on bloodline.
Sacrifice for country: Nikolai gives up the throne because he believes Zoya is the only person who can unite Ravka and bring peace.
The people's voice: The crowds chanting outside the chamber contrast with the nobles inside. Nikolai opens the shutters to let the people's voice in, literally and figuratively.
Man and monster duality: Nikolai acknowledges both aspects of himself in his exchange with Brum, refusing to be shamed by the monster he became on the battlefield.
Redemption through confession: Nikolai's honesty about his birth is presented as a form of redemption—he stops hiding and takes control of the narrative.
Why This Chapter Matters
This is a pivotal turning point in the novel. Nikolai's abdication and the rise of Zoya as the Dragon Queen fundamentally reshape Ravka's political landscape. The chapter resolves the question of Nikolai's parentage that has haunted him throughout the series, and it sets up the final confrontation with Fjerda. It also completes a major character arc: Nikolai, who spent the series trying to fix his country, finally understands that the best way to do so is to step aside. The chapter's ending, with Zoya's fury and Nikolai's wink, leaves the reader eager to see how the new dynasty will face the challenges ahead.
Study Questions and Answers
1. Why does Nikolai choose to confess his bastardy rather than allow his mother to testify?
Nikolai refuses to put Queen Tatiana through the ordeal of testifying, but his decision is also strategic. He has already concluded that renouncing the throne is the path forward, and his confession removes Brum's leverage. By controlling the narrative himself, he transforms what could have been a humiliating revelation into a deliberate act of renunciation.
2. What does Joran's refusal to fight Zoya reveal about the changing dynamics within Fjerda?
Joran's refusal shows that even among the drüskelle, Brum's authority is crumbling. Joran's willingness to accept death rather than fight someone he considers a Saint demonstrates that the ideological battle is shifting—the soldiers who once followed Brum's orders without question are now questioning the morality of their cause.
3. How does Nikolai's argument about the Lantsov legacy justify his renunciation?
Nikolai argues that Lantsov kings failed Ravka: one allowed the Fold to be created, another abdicated rule to the Darkling and the Apparat. By renouncing the name, he separates himself from that legacy and argues that Demidov, as a Lantsov, has no more right to the throne. His point is that bloodline alone does not make a good ruler—and that the Lantsov bloodline, in particular, has proven disastrous.