Characters Immortality Dana Schwartz

Princess Charlotte: The Prisoner Princess Who Chose Love Over the Crown

Overview

Princess Charlotte of Wales is the only legitimate child of the Prince Regent and heir presumptive to the British throne. In Immortality, she initially appears as a privileged yet chronically ill young woman under her father’s control. Hazel Sinnett, the protagonist, discovers that Charlotte’s mysterious ailment is a façade. The real Charlotte is a clever, defiant romantic who fakes illness to avoid an arranged marriage to the Prince of Orange because she is secretly in love with her lady-in-waiting, Eliza Murray. With Hazel’s help, Charlotte stages her own death and escapes her royal prison to live freely with Eliza.

Plot Role

Charlotte serves as both a catalyst and a mirror for Hazel’s journey. Her refusal to accept her prescribed role forces Hazel to confront her own feelings about love, sacrifice, and medical ethics. The princess’s “illness” draws Hazel from Edinburgh to London, anchors the middle third of the novel, and ultimately triggers the elaborate fake‑death scheme that tests every character’s loyalty. Charlotte’s choice to abandon royalty mirrors Hazel’s choice to abandon her reputation, reinforcing the book’s exploration of identity and freedom.

Motivations and Traits Revealed Through Actions

Charlotte is intelligent and perceptive. She solves the riddle of the Companions to the Death invitation before Hazel does, correctly identifying the Seven Dials location (chapter 15). She is also stubborn and resourceful: she maintains the illness ruse for months, outwitting a parade of physicians sent by her father. Her deep capacity for love is shown in how she protects Eliza from discovery and weeps at the thought of separation. When Hazel confronts her, Charlotte admits her heartbreak is real, saying, “How long does heartbreak last? ... It’s as real as any of the illnesses my father’s doctors have diagnosed me with” (chapter 15). Yet she also possesses practical nobility — she writes a farewell note to her grandmother, the Queen, acknowledging the cost of her escape (chapter 27). Her willingness to gift jewels to Hazel and Eliza to avoid suspicion demonstrates generosity and forethought.

Chronological Arc

Charlotte’s arc moves from confinement to liberation:

  1. Before the novel: She suffers Roman fever in 1814, which leaves her weakened.
  2. Early chapters (2–4): The Edinburgh papers report her broken engagement to William of Orange. She falls ill again, withdrawing from public life.
  3. Hazel’s arrival (chapters 11–13): The Prince Regent orders Hazel to treat Charlotte. Charlotte refuses examinations, maintaining her feigned symptoms.
  4. Confrontation and trust (chapter 15): Hazel deduces the truth. Charlotte admits she is faking to avoid marriage and because her heart is with Eliza. They form a pact.
  5. Discovery of love (chapter 25): Hazel accidentally sees Charlotte and Eliza kissing. Charlotte confesses her love but resigns herself to duty, describing herself as a “clockwork doll.”
  6. Escape plan (chapters 26–27): Hazel proposes faking Charlotte’s death. Charlotte agrees immediately, choosing love. She packs a valise, writes to her grandmother, and with a substituted corpse, flees as a servant.
  7. Aftermath (chapter 28): London mourns. Charlotte’s death is reported in the Morning Chronicle. Her “body” is buried, and she begins a new life off‑page, presumably with Eliza.

Relationships

With Hazel Sinnett: Initially wary doctor‑patient, they become allies. Hazel becomes the only person Charlotte trusts with her secret, and Hazel’s willingness to sacrifice her reputation for Charlotte’s freedom mirrors Jack’s sacrifice for Hazel.

With Eliza Murray: The central romantic relationship. Eliza is Charlotte’s lady‑in‑waiting and confidante. Their love is tender and physical — they kiss, embrace, and whisper promises. Charlotte chooses Eliza over her throne, her wealth, and her identity.

With the Prince Regent (father): Oppressive and transactional. He sees Charlotte only as a breeding vessel for the succession. She fears his anger and his political power; his threats push her toward escape.

With Simon von Ferris: Simon invents a false disease (“Alpine blood disorder”) to protect Hazel’s reputation after Charlotte’s “death,” showing his indirect loyalty to the princess’s cause.

With Gaspar Pembroke: The royal steward who brings Hazel to London. He remains a neutral figure, facilitating but not participating in Charlotte’s deception.

Key Decisions and Consequences

  1. Decision to fake illness: Delays the marriage and gives her space, but traps her in her room and makes her dependent on others. This decision brings Hazel into her life.
  2. Decision to trust Hazel: Allows her secret to be known by an outsider. Consequences: Hazel devises the escape plan, but Charlotte must accept that Hazel will be blamed for her death.
  3. Decision to stage her own death: The most consequential act. It frees her from royal duty permanently, but it means she must never return to England or claim her identity. She loses all wealth, status, and her grandmother’s love.
  4. Decision to leave with Eliza: Chooses personal happiness over dynastic obligation. The consequence is a life of obscurity, but one she owns.

Theme and Symbol Connections

  • Immortality vs. Mortality: Charlotte rejects the symbolic immortality of the monarchy (her legacy as queen) for a finite but authentic life with Eliza. Her choice echoes the novel’s central tension.
  • Gender and Medical Authority: Charlotte’s body is a site of control — male doctors prod her, her father decides her marriage. Hazel’s ability to see through the ruse represents reclaiming female agency. As Charlotte says, “I refuse to be a pincushion for that parade of short, ill‑mannered men.”
  • Love and Sacrifice: Charlotte sacrifices everything for love. Her story parallels Hazel’s love for Jack and reinforces that real love demands risk.
  • Identity and Disguise: Charlotte fakes illness, then fakes death. Her true identity emerges only when she sheds titles and clothes. The “clockwork doll” speech (chapter 25) highlights how royal identity is a performance.
  • Social Injustice and Class: Charlotte’s privilege is a gilded cage. “I am the only woman in the country whose future marriage and children are a national concern,” she laments. The escape plan underscores that even the most powerful woman has no real freedom under patriarchy.

5 Book-Specific Questions and Answers

1. Why did Princess Charlotte break her engagement to the Prince of Orange?
Charlotte never loved William of Orange. Her illness was a pretext to end the engagement, but the real reason was her love for Eliza. She feared being forced to move to Holland, separated from Eliza forever.

2. How did Hazel first suspect Charlotte was faking?
Hazel noticed that Charlotte’s symptoms — fatigue, nausea, swelling — appeared exactly when needed to avoid events. After the Regent’s ball, Hazel deduced that Charlotte was feigning to escape marriage and to hide a secret love. She confronted the princess directly in chapter 15.

3. What does Charlotte say about her lack of freedom?
In chapter 25, Charlotte describes herself as “a clockwork doll told to smile and wave and wear expensive clothing that someone else picks out for me.” She explains that Parliament and her father control every decision, making her existence a prison of privilege.

4. How does Charlotte help execute the fake‑death plan?
She packs a valise with banknotes and her most precious items, gifts jewels to Eliza and Hazel to avoid suspicion, alters the appearance of the substitute corpse, changes into a servant’s dress, and writes a goodbye letter to her grandmother. She also hides her dog Edwina to take with her.

5. What happens to Charlotte after her “death” is announced?
The novel does not follow Charlotte after she flees. The epilogue shows Hazel and Jack in America, and a brief epilogue mentions two women settling in a German castle. Readers infer Charlotte and Eliza start a new life abroad, likely using the Bavarian estate Eliza once mentioned. Her love endures, but her royal identity is permanently erased.