Characters Great Circle Maggie Shipstead

Barclay Macqueen in Great Circle: The Bootlegger Who Funded Marian's Flight

Overview: The Man Who Tried to Own the Sky's Wildest Bird

Barclay Macqueen enters Great Circle as a shadowy figure of Montana's bootlegging underworld, but his role in Marian Graves's life is anything but peripheral. He is the wealthy criminal who secretly pays for her flying lessons, then uses her uncle's debts as leverage to force her into marriage, and finally dies by a distant rifle shot after his release from prison. Barclay is not a simple villain; he is a man who mistakes possession for love, control for devotion, and who ultimately becomes one of the many forces Marian must escape to pursue her great circle. His arc traces the novel's central tension between freedom and constraint, and his death—murdered by an unknown hand—leaves a trail of unanswered questions that echo the book's larger meditation on incomplete stories and elusive truth.

Plot Role: From Secret Benefactor to Coercive Husband

Barclay first appears in Marian's story when she is fourteen, delivering moonshine for baker Mr. Stanley and stopping at Miss Dolly's bordello. He sees her dressed up in the women's clothes and asks who she is, but Desirée insists she is just a child (chapter 13). This early glimpse establishes his attraction to her wildness, which he will later try to tame.

By the time Marian turns fifteen, Barclay has become her secret patron. He funds her flying lessons with Trout, never acknowledging the arrangement directly. Marian knows he is paying, and she plans to repay him, but they maintain a fiction of friendship—the delivery girl and the well-heeled cattle rancher (chapter 15). This secret funding is the first of many manipulations: he gives her the thing she wants most, but the gift comes with invisible strings.

When Marian asks to fly bootleg runs over the Canadian border to repay him, he initially refuses, then relents after her solo flight to Vancouver. He takes his first flight with her, and they begin a sexual relationship. He proposes marriage, but Marian delays, wanting to keep flying and avoid children (chapter 15). Barclay's proposal is not a question but a declaration: “I'll take care of you. I'll marry you.” He assumes she will eventually agree, and when she does not, he escalates.

The escalation is brutal. Barclay confesses that he has been quietly buying up Wallace's debts, consolidating them, and then sending his “emissaries” to inform Wallace of what is due—a sum so large it drives Wallace to contemplate suicide with a pistol. Marian confronts Barclay, who coldly tells her, “I've bought your uncle and he isn't for sale.” She marries him to save Wallace and Jamie from ruin (chapter 19). The marriage is a transaction, not a union.

On the honeymoon crossing to Scotland, Barclay reveals his controlling nature further: he bans her from drinking, insists on her wearing fine clothes and jewelry, and treats her flying as a rival. Marian reflects that he “could neither tolerate wildness nor reconcile himself to its loss.” The marriage is a cage, and Barclay is the keeper.

Years later, after Marian flees to Alaska and Barclay is imprisoned for tax evasion, he writes letters she burns unopened. He is released, and then, according to Jamie, he is killed by a rifle shot from a distance while driving alone from the ranch to Kalispell (chapter 24). His death is suspicious—Sadler, his sister's lover, is suspected but never charged. Barclay dies a pauper on paper, and Marian is not in his will.

In the present-day narrative, Barclay appears again as a character in the film about Marian's life. Hadley, playing Marian, films a scene in Alaska where Barclay hires her as a pilot (chapter 31). This fictionalized version simplifies his role, but the novel itself gives him far more complexity.

Motivations and Traits: The Need to Possess

Barclay's primary motivation is a desperate, possessive love that he mistakes for genuine affection. He tells Marian, “You were in my bones” when he first saw her, and he builds a story around their lives like “a bird building a nest, like a prisoner building a prison” (chapter 19). He wants to own her, not just her body but her spirit.

His actions reveal a man who cannot tolerate uncertainty or independence in others. He buys up Wallace's debts because he is “worn down by the prolonged uncertainty” of waiting for Marian. He is maddened by jealousy when he learns she visited Caleb's cabin. He confesses that he felt disgust for Wallace, for all debtors, and wished someone had punished his own father for his waste and foolishness—suggesting a deep-seated need to control financial and moral chaos.

Barclay is also a pragmatist. He runs a diffuse bootlegging empire, with lawyers in multiple cities and relationships with lawmakers and law enforcers (chapter 15). He knows how to apply pressure, and he uses that knowledge against Marian's family. Yet he is not without regret. After the wedding, Marian senses “some buried, unacknowledgeable regret in him.” He apologizes for his cruelty, but only after it has already done its damage.

His treatment of Marian is paternalistic and infantilizing. He assumes she will want babies, that she will stop flying, that she will obey his ban on alcohol. When she defies him—by drinking champagne on the ship, by flying solo to Vancouver, by eventually fleeing—he is both angry and forgiving, but never truly understanding. He sees her as a child to be guided, not a person with her own will.

Chronological Arc: From Patron to Prisoner to Corpse

Barclay's arc in the novel is a descent from power to powerlessness.

  • 1929–1930: He secretly funds Marian's flying lessons, maintaining a facade of friendship. He also begins buying up Wallace's debts, consolidating his leverage.

  • 1931: After Marian's solo flight to Vancouver, he agrees to let her fly bootleg runs. They begin a sexual relationship, and he proposes. When she delays, he escalates by calling in Wallace's debts, driving Wallace to near-suicide. Marian marries him to save her uncle and brother. The honeymoon crossing reveals his controlling nature.

  • 1936–1939: Barclay is in prison for tax evasion. Marian is in Alaska, using her real name, flying as a bush pilot. She burns his letters unopened. He is released, and then killed by a rifle shot. Jamie tells Marian the news in 1939 (chapter 24).

  • Later: Barclay appears only as a memory and as a character in the film adaptation. His death remains unresolved, with Sadler suspected but never charged.

This arc shows a man who tries to control a force—Marian's wildness—that ultimately cannot be contained. His imprisonment and death are almost poetic: the man who sought to cage a bird ends up caged himself, and then eliminated.

Relationships: The Web of Control

With Marian: The central relationship. Barclay is her patron, lover, husband, and jailer. He gives her flying lessons but wants her to stop flying. He marries her but forbids her from drinking. He loves her but cannot let her be free. Marian's feelings are complex: she admits she did love him at one point, and her body still responds to him, but she ultimately flees and never looks back.

With Wallace: Barclay sees Wallace as a debtor to be punished. He buys up Wallace's debts and sends men to collect, driving Wallace to the brink of suicide. He then “saves” Wallace by paying off the debts as part of the marriage bargain. This is a cruel game of power.

With Jamie: Barclay is the man who buys Jamie's sister. Jamie is furious and tries to convince Marian not to marry him, but she refuses to listen. Jamie later suspects Barclay's death may have been at Caleb's hands, but he never acts on it.

With Sadler and Kate: Barclay's sister Kate and his associate Sadler are witnesses at the wedding. Later, they become “rulers of the realm” after Barclay's imprisonment, and Sadler is suspected of killing him. The novel hints at a possible affair between Kate and Sadler, but it is never confirmed.

With his mother: In chapter 22, Barclay's mother is present at Bannockburn, knitting while Marian whispers that her son is a criminal. Mother Macqueen pretends not to hear. This suggests a family that enables Barclay's behavior.

Key Decisions and Consequences

  • Secretly funding Marian's lessons: This gives Marian the skill she needs to eventually escape him. It is a gift that backfires.

  • Buying up Wallace's debts: This forces Marian into marriage, but it also creates a marriage built on coercion and resentment. It ultimately drives Marian to flee.

  • Banning alcohol and controlling her appearance: These small tyrannies push Marian further away. She drinks champagne in secret and later drops her wedding ring into a lake.

  • Going to prison for tax evasion: This removes him from Marian's life, allowing her to build a new identity in Alaska. His absence is a relief.

  • His death: The rifle shot ends his story but leaves questions. Who killed him? Why? The novel never answers, reinforcing its theme of incomplete truth.

Themes and Symbol Connections

Barclay embodies the theme of freedom and constraint. He is the ultimate constraint—a man who tries to own another person's freedom. His bootlegging empire is built on control of supply and demand, and he applies the same logic to Marian. He wants to keep her grounded, both literally and metaphorically.

He also connects to identity and reinvention. Barclay is a criminal who presents himself as a respectable cattle rancher. He builds a false identity, just as Marian later reinvents herself as Martin Wallace and Alice Root. But while Marian's reinventions are liberating, Barclay's are deceptive.

The theme of public vs private self appears in Barclay's double life. In public, he is a wealthy rancher; in private, he is a bootlegger and a coercive husband. Marian, too, has a public persona as a famous aviator, but her private self is hidden. Barclay's death—reported in newspapers without naming his wife—highlights the gap between public record and private truth.

Finally, Barclay's unresolved death ties into incompleteness and the elusiveness of truth. The novel never tells us who killed him or why. Like Marian's disappearance, his story is left unfinished. The reader must accept that some circles never close.

Questions and Answers

  1. Why did Barclay secretly fund Marian's flying lessons?

Barclay funded the lessons because he was drawn to Marian's wildness and wanted to possess her. He never acknowledged the arrangement, maintaining a fiction of friendship, but he used the gift as a way to insinuate himself into her life. He later admitted that if she hadn't come back to the airfield, he would have found another way to approach her.

  1. What was Barclay's motive for buying up Wallace's debts?

Barclay bought up Wallace's debts to gain leverage over Marian. He was tired of waiting for her to agree to marry him and was maddened by jealousy. By consolidating the debts and then calling them in, he created a crisis that forced Marian to choose between marrying him or letting her uncle and brother face ruin.

  1. How did Barclay react to Marian's solo flight to Vancouver?

Barclay was angry but forgiving. He had initially refused to let her fly bootleg runs, but after her unauthorized flight, he relented and agreed to let her fly over the border. He also took his first flight with her, which marked the beginning of their sexual relationship.

  1. What happened to Barclay after his release from prison?

After his release, Barclay was killed by a distant rifle shot while driving alone from the ranch to Kalispell. The police did not investigate thoroughly, and Sadler was suspected but had an alibi. Barclay died a pauper on paper, and Marian was not mentioned in his will.

  1. How does Barclay's character serve the novel's themes?

Barclay represents the forces of constraint and control that Marian must overcome. His attempts to own her—through money, marriage, and rules—highlight the theme of freedom versus constraint. His unresolved death also reinforces the novel's meditation on incomplete stories and the elusiveness of truth, as his killer is never identified.

For more on these ideas, see the themes of freedom and constraint, identity and reinvention, public vs private self, and incompleteness and truth. You can also explore the ending explained or browse questions and answers for further discussion.

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