Chapter summaries Come with Me Ronald Malfi

Chapter Five: Into Allison’s Hidden Investigation

⚠️ Spoiler Warning: This guide contains detailed spoilers for the entire novel. Proceed only if you've finished reading or are comfortable knowing the plot.

Summary

Aaron Decker drives two hours to Furnace, West Virginia, following Allison’s notes on the murder of seventeen-year-old Holly Renfrow. He meets Chief Hercel Lovering at a diner called The Foundry. Aaron explains that Allison believed Holly’s death might be linked to five other murdered teenage girls, forming a serial-killer pattern. Lovering is initially skeptical but eventually reveals that the case is closed: local sex offender Das Hillyard died of a heroin overdose in January, and Holly’s sweatshirt was found in his home. Hillyard was in prison from 2005 to 2018, so he could not have committed the earlier murders. Aaron leaves disappointed, then at home experiences a ghostly encounter and nightmares, deepening his obsession with Allison’s secret life.

Key Events

  • Aaron drives to Furnace and describes the small, isolated town (population ~250).
  • Chief Lovering meets Aaron at The Foundry; Lovering is a tall, hard-edged man with piercing blue eyes.
  • Aaron presents the accordion folder of Allison’s research, explaining her theory of a serial killer.
  • Lovering reveals that Das Hillyard, a registered sex offender, is the prime suspect; Hillyard died of an overdose and Holly’s sweatshirt was found in his house.
  • Lovering argues Hillyard couldn’t have killed the other girls because he was in prison during those years (2005–2018).
  • Aaron returns home, researches Hillyard online, and finds Roberta Negri’s articles on Gabrielle Colson-Howe, a 2016 victim. He notices Allison drew the same six-bar symbol she used with “Gas Head.”
  • Aaron senses a figure in his office doorway, thinks it’s Allison, but finds the room empty.
  • He goes to bed, troubled by nightmares of his wife’s murderer, Robert Vols, and a monstrous figure.

Character Development

Aaron Decker: This chapter marks a turning point in Aaron’s grief. He shifts from passive mourning to active investigation, yet also confronts the painful discovery that Allison had a hidden life. His anger briefly replaces sorrow, but upon returning home he breaks down again, showing his vulnerability. The ghostly encounter suggests his psychological state may be fraying.

Chief Hercel Lovering: Lovering is pragmatic and authoritative. He dismisses the serial-killer theory with logical evidence (Hillyard’s incarceration timeline). His demeanor is initially guarded but becomes more open once he shares the closed-case narrative. He appears satisfied with the outcome, contrasting with Aaron’s unresolved quest.

Allison Decker (through memory and research): The chapter deepens Allison’s character as a secret “chronicler of death.” Her meticulous notes and the strange symbol hint at a compulsive, obsessive side unknown to Aaron during their marriage. She emerges as complex and secretive, driven by a mission Aaron is only beginning to understand.

Themes, Symbols, or Motifs

  • The floating world (ukiyo): Aaron reflects on the Japanese concept of ukiyo—living in the present with detachment from the surrounding universe. He once believed his marriage to Allison was such a dome, but now realizes a part of her was elsewhere, navigating grim investigations. This motif underscores his disillusionment.
  • Symbol of the six rectangular bars: The mysterious symbol Allison drew appears on notes about Gabrielle Colson-Howe and the “Gas Head” phrase. It suggests a code or personal mark, linking disparate cases and hinting at a larger pattern Aaron has yet to decipher.
  • Grief and anger: Aaron welcomes anger as a temporary relief from numbness, but it quickly fades. The chapter shows how grief can surface through hallucinations and nightmares, blurring reality.
  • The bridge as a threshold: The stone bridge overlooking the Potomac becomes a literal and figurative point of no return. Lovering describes it as a suicide bridge; Aaron stands there feeling vertigo, symbolizing his descent into the dark truths Allison pursued.

Why This Chapter Matters

Chapter Five deepens the mystery at the heart of the novel. It provides concrete information about Holly Renfrow’s murder while simultaneously dismantling Aaron’s serial-killer theory—at least for now. The introduction of the six-bar symbol and Roberta Negri creates new leads, while the ghostly encounter and nightmares intensify the psychological thriller aspect. Aaron’s realization that Allison led a secret investigative life reshapes his understanding of their marriage, setting the stage for his continued pursuit of the truth. The chapter also establishes Chief Lovering as a key secondary character and shows how small-town justice can be both efficient and limiting.

Study Questions and Answers

  1. Why does Chief Lovering dismiss the possibility of a serial killer? Lovering points out that Das Hillyard was in prison from 2005 to 2018 for molesting boys, so he could not have committed the earlier murders dating back to 2006. He also notes that Hillyard’s death and the discovery of Holly’s sweatshirt in his house effectively close the Renfrow case in his mind. Lovering believes Aaron is projecting his grief onto a false connection.

  2. What does the six-bar symbol suggest about Allison’s investigation? The symbol appears on Allison’s notes alongside the “Gas Head” phrase and on a printout about Gabrielle Colson-Howe that includes reporter Roberta Negri’s phone number. This suggests Allison had a system for tracking cases or contacts, and the symbol may link to an important clue that Aaron has not yet understood. It hints that Allison’s research was more systematic than random.

  3. How does Aaron’s ghostly encounter in the office reveal his emotional state? Seeing a figure he believes is Allison and then finding an empty room shows his state of grief-induced hallucination. He is desperate for connection and has not fully accepted her death. The encounter also foreshadows the supernatural or psychological elements that may play a role in the story, blurring the line between memory and reality.

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