Augury or The Birds: Chapter 60 Summary & Analysis
⚠️ Spoiler Warning: This guide contains detailed spoilers for the entire novel. Proceed only if you've finished reading or are comfortable knowing the plot.
Summary
The poem opens by describing augurs in ancient Rome—official diviners who interpreted omens by reading birds in the sky. Their role was not to foretell the future but to assess whether the gods approved of a planned action. Gorman then shifts to a contemporary voice: the only way to correctly predict the future is to pave it, to brave it. The breakage, the rupture, becomes a place of beginning and remembering. The speaker declares that here, in the wound, we hold our hurt, inaugurate our dreams, and consecrate at the cut. The poem closes with the image of sensing oneself stir “slowly, sweetly, as if for the first time” and the acknowledgment that this process nearly tore us apart and tears us to start.
Key Events
- Explanation of ancient Roman augury and its role of determining divine approval.
- Statement that predicting the future requires paving it and braving it.
- Identification of breakage and rupture as the starting point for renewal.
- Declaration that hurt is held, dreams are inaugurated, and wounds are consecrated.
- Final lines: a slow, sweet stirring and the admission that the process is painful but necessary.
Character Development
The poem does not feature named characters. The collective “we” and “us” serve as the speaker and audience—humanity at large, or perhaps the nation grappling with shared trauma. The voice develops from a historical lesson into a personal and communal affirmation: the speaker moves from explaining augury to embodying the act of holding hurt and bravely beginning again.
Themes, Symbols, or Motifs
- Augury and Prophecy: The poem redefines augury not as fortune-telling but as a tool for determining permission to act. Gorman extends this to say that the future is created through action—paving and braving.
- Rupture as Renewal: Breakage is not an end but a beginning. “The rupture is for remembering” and “the breakage is where we begin” establish pain as a site of transformation.
- Light and Wounds: “Under a suture of sun” merges medical and celestial imagery, suggesting healing stitched by light. The sun becomes both witness and healer.
- Cycles of Pain: The closing lines (“This nearly tore us apart. / Yes, indeed. / It tears us to start.”) emphasize that starting again is inherently painful, and that acknowledging this pain is part of the process.
Why This Chapter Matters
Chapter 60 sits near the end of the collection and encapsulates a central argument of Call Us What We Carry: that collective trauma, especially from the pandemic and social crises, cannot be bypassed but must be faced, held, and used as fertile ground for renewal. By anchoring the poem in ancient Roman augury, Gorman connects contemporary suffering to long human traditions of seeking meaning in signs and taking deliberate action. The poem’s direct, incantatory language provides a moment of clarity and resolve, preparing readers for the final chapters.
Study Questions
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How does Gorman redefine the concept of augury in this poem, and what does that redefinition suggest about how we should approach the future?
- Answer: Gorman distinguishes augury from prophecy, asserting that the only way to correctly predict the future is to pave it and brave it. This suggests that the future is not something passively foretold but actively created through courage and deliberate action.
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Explain the line “The rupture is for remembering.” What might the speaker mean by linking breakage with memory?
- Answer: The line implies that moments of rupture—personal or collective—force us to recall what matters, to see what was broken, and to carry that memory forward. Rupture becomes a catalyst for awareness and intentional rebuilding.
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Why does the poem end with both “This nearly tore us apart” and “It tears us to start”? How do these two statements relate?
- Answer: The first statement looks back at a near-destructive event; the second acknowledges that the act of beginning anew is itself painful. Together they argue that growth and healing are not free from pain—the pain is intrinsic to the start, not a one-time cost.
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