Chapter 25 Summary: The Bathhouse and the Crown Jewel
⚠️ Spoiler Warning: This guide contains detailed spoilers for the entire novel. Proceed only if you've finished reading or are comfortable knowing the plot.
Summary
Evening descends on the remaining seventy‑five Lithuanians guarded by only five NKVD officers. Lina studies the landscape, mentally noting landmarks to sketch later for her father. The guards cook with American supplies, drink vodka, and laugh loudly. Mother claims they are sharing family stories, but Lina doubts her translation. Ona’s repetitive chanting of “No, no, no, no” draws a guard’s angry gesture, so Mother moves to quiet her. Jonas falls asleep; Lina covers him with her blue raincoat. Andrius sits apart, watching the guards. When Lina stares, he rolls the sparkly stone he found earlier across the grass to her, telling her to keep it. At sunrise a wagon arrives and takes the other group away. The guards load Lina’s group into two trucks and drive through empty countryside for two hours. They stop at a wooden building: a bathhouse. Guards yell “Davai! Davai!” and order everyone to leave their luggage. The group is split by gender. The men are forced to undress on the porch. Jonas looks to Mother for translation; she tells him to take off his clothes. Everyone turns their backs. Lina hears belt buckles and smells something strange. The chapter ends with Mother whispering to Jonas as the bald man yells from inside.
Key Events
- Only five NKVD officers remain with the group; most have departed on the train.
- Lina memorizes landmarks to draw for her father.
- Guards eat American canned goods, drink vodka, and become loud.
- Ona chants “No, no, no, no” until Mother intervenes.
- Andrius gives Lina the sparkly stone he found on the train journey.
- At dawn, a wagon removes the other group of prisoners.
- The remaining prisoners are trucked to a bathhouse.
- Guards force the men to undress on the porch for delousing.
- Mother translates the guards’ commands; the women turn their backs to preserve some dignity.
Character Development
- Lina continues to think of her father, collecting visual details to share with him. Her small smile when Andrius becomes annoyed shows she still has room for humor even in despair.
- Mother acts as a calm translator and protector, maintaining a composed smile to shield her children. She downplays the guards’ crude talk to keep hope alive.
- Jonas is petrified by the forced nudity, revealing the vulnerability of a boy confronted with total loss of privacy.
- Andrius gives Lina the stone, a gesture of friendship and solidarity. His disgust at helping the bald man bathe contrasts with Lina’s amusement, hinting at different coping mechanisms.
- Mr. Stalas (the bald man) becomes dependent on others, losing self‑reliance. His complaints mask helplessness.
- Mrs. Arvydas demands to know their destination before leaving the truck, showing she has not surrendered her will.
Themes, Symbols, and Motifs
- Dehumanization through forced nudity: The bathhouse stripping strips prisoners of their last private possession—their clothes—and reduces them to skeletons.
- Small kindnesses as resistance: Andrius’s gift of the stone, Mother’s gentle translation, and Lina’s covering of Jonas are quiet acts that preserve humanity.
- Delousing as control: The NKVD uses hygiene as a pretext to humiliate and demoralize; the bathhouse is not comfort but another cage.
- Communication barriers: Lina distrusts her mother’s upbeat translation of the guards’ speech, highlighting the breakdown of truth between captors and captives.
- The sparkly stone as a keepsake: It becomes a symbol of connection between Lina and Andrius, a small promise of a shared past and possible future.
Why This Chapter Matters
Chapter Twenty‑Five marks the end of the open‑road journey and the beginning of a more institutionalized form of captivity. The bathhouse scene forces the characters into extreme vulnerability, exposing their physical wreckage. It deepens the bond between Lina and Andrius through the gift of the stone. The chapter also illustrates how the remaining prisoners cling to dignity by turning their backs and by protecting one another through simple gestures.
Study Questions
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Why does Lina doubt her mother’s translation of the guards’ conversation?
Lina listens to the tone of the guards’ voices—loud, cackling, and aggressive—which does not match her mother’s description of “friendly family stories.” Lina has already learned to distrust the NKVD, and her mother’s attempt to soften the truth feels like a betrayal of reality. -
What role does the sparkly stone play in this chapter?
Andrius first found the stone when he jumped off the train, calling it a “crown jewel from the train car princess.” By giving it to Lina, he offers a tangible reminder of their shared adventure and a token of friendship. The stone becomes a private symbol of hope and continuity. -
How does the forced bathing experience strip the prisoners of more than just dirt?
The guards require the men to undress on the open porch, exposing their emaciated bodies to the women. The prisoners lose all privacy and are reduced to “skeletons” in Mr. Stalas’s words. The delousing process is a deliberate humiliation that reinforces the NKVD’s total control over the prisoners’ bodies and dignity.