Book overview Xóchitl González

Anita de Monte Laughs Last: Complete People‑First Book Guide

⚠️ Spoiler Warning: This guide contains detailed spoilers for the entire novel. Proceed only if you've finished reading or are comfortable knowing the plot.

Quick Facts

  • Author: Xóchitl González
  • Publication year: 2023
  • Genre: Contemporary literary fiction
  • Setting: New York City (1985, 1998); Providence, Rhode Island (Brown University); Cuba; Madrid; London
  • Narrator: Third‑person limited, alternating perspectives — Anita de Monte (as ghost), Raquel Toro, and Jack Martin

Short Summary

In 1985, Cuban‑American artist Anita de Monte is murdered by her husband, the celebrated sculptor Jack Martin. Decades later, first‑generation Puerto Rican art‑history student Raquel Toro discovers that Anita’s work has been deliberately erased from the canon. As Raquel researches Anita’s life and legacy, she begins to challenge the institutional bias she herself faces at Brown University. Meanwhile, Anita’s ghost haunts Jack, attacks his collaborators, and eventually finds purpose in protecting Raquel. The novel intertwines two timelines — Anita’s rise and fall in the 1980s and Raquel’s coming‑of‑age in the late 1990s — to expose how art worlds silence women of color and how legacy can be reclaimed through defiance and solidarity.

Full Summary

Part One – The Night of the Party (1985)

The novel opens with Anita de Monte at a party hosted by powerful art dealer Tilly Barber. Anita has secretly secured a solo show in Rome, but her husband Jack Martin belittles her success. When Anita sees Jack with another woman, she transmutes her rage into joy and dances exuberantly, her silver‑sequin dress becoming a symbol of her defiance. That night she falls (or is pushed) from a window and dies. Everyone remembers her laughing and dancing.

Part Two – Raquel’s World (1998)

At Brown University, Raquel Toro wins a curatorial fellowship but feels like an outsider among wealthy white students. She begins dating Nick Fitzsimmons, a privileged sculptor whose family represents the art‑world elite Raquel struggles to navigate. A dinner with Nick’s mother reveals that Anita de Monte is dismissed as “a pushy Cuban thing.” Raquel starts to investigate Anita’s life after learning that Jack Martin was tried for murder — a fact omitted from her art‑history courses.

Part Three – Anita’s Afterlife (1985–2000)

Anita’s ghost emerges under a ceiba tree on a Cuban beach. She learns that people summon her by discussing her art with emotion. She gains the power to become a bat and physically attack those who erase her: she shatters Tilly’s glass, appears bloody before Jack, and modifies his sculptures. Yet time and again, Jack and Tilly buy up and store her work, suppressing her legacy. Anita cycles between rage and depression.

Part Four – Raquel’s Awakening (1998–1999)

Raquel’s relationship with Nick grows controlling: he cuts her hair without consent and orders for her at restaurants. After a spiritual cleansing performed by her roommate’s aunt, Raquel begins to trust her own instincts. She confronts Professor John Temple about omitting Jack’s violence from lectures and proposes a thesis on Anita’s influence on Jack’s work. Supported by curator Belinda Kim, Raquel discovers an Anita de Monte land‑art piece at RISD and ends her relationship with Nick when he refuses to leave Tilly’s gallery.

Part Five – Reclamation (1999–2000)

Raquel delivers her honors thesis, winning the Department Chair’s Prize and a co‑authored Art in America feature. She declines grad school for a writing job in Brooklyn. Nick’s mother sends Raquel an early Anita de Monte photograph, which Raquel keeps as a reminder of her own worth. Meanwhile, Anita’s ghost appears at a party, chases Jack intending to kill him, but stops — tired of vengeance. Her art has been restored by Raquel, lessening her anger. Anita transitions from vengeful spirit to protective guardian, helping Raquel with small acts (like bringing a mouse). The novel ends with Raquel embracing a fresh start and Anita’s legacy finally receiving recognition.

Main Characters

  • Anita de Monte – A rising Cuban‑American artist in the 1980s who is murdered by her husband; returns as a ghost who haunts her erasure and eventually becomes a protective spirit.
  • Raquel Toro – A first‑generation Puerto Rican art‑history student at Brown who uncovers Anita’s erased work and uses her thesis to reclaim the artist’s legacy.
  • Jack Martin – A celebrated minimalist sculptor who murders Anita and spends decades suppressing her art while being haunted by her ghost.
  • Nick Fitzsimmons – A white, privileged sculptor and Raquel’s controlling boyfriend who embodies the art‑world elitism she must overcome.
  • Tilly Barber – A powerful art dealer who manages Jack’s career and actively participates in erasing Anita’s legacy.
  • John Temple – Raquel’s art‑history professor who initially omits Jack’s murder trial from his lectures and later supports her thesis.

Themes

Theme Description
Erasure of Women Artists The novel shows how institutional gatekeeping, racism, and powerful men bury the work of talented women of color.
Class and Privilege Raquel navigates her working‑class Puerto Rican identity within the elite Ivy League and New York art world.
Identity and Belonging Both Anita and Raquel struggle with assimilation and performing identity to gain acceptance in dismissive spaces.
Power and Control Jack and Nick use manipulation, violence, and ownership over art to dominate women; Anita and Raquel fight for autonomy.
Haunting and Legacy Anita’s ghost alters Jack’s art, inspires Raquel’s research, and eventually chooses forgiveness over vengeance, shaping artistic memory.

Symbols

Symbol Meaning
Silver Sequins Anita’s iconic dress represents her vibrant, defiant energy and the performance of identity.
Bat Anita’s ghost assumes bat form to attack enemies and move objects, symbolizing her liminal existence between death and agency.
Ceiba Tree A sacred Afro‑Cuban tree serving as a portal between the living world and Anita’s afterlife — spiritual connection and rebirth.
“Graceland” (Paul Simon song) A haunting leitmotif associated with Anita’s Cuban‑American heritage and her ghostly interventions.

Ending Overview

In spring 2000, Anita haunts a party at Tilly’s loft. She chases Jack to a staircase intending to push him to his death, but stops — tired of vengeance. Her art has been restored by Raquel, lessening her anger. Anita stops active haunting, visits her sister and niece, and uses her ghostly powers to help Raquel (e.g., bringing a mouse as thanks). Raquel delivers her honors thesis, wins the Department Chair’s Prize, secures a writing job in Brooklyn, and receives an early Anita de Monte photograph from Nick’s mother. The novel ends with Raquel embracing second chances and Anita’s legacy finally being recognized.

Chapter‑by‑Chapter Overview

Chapter Title Digest Summary Link
1 Epigraph Quotation from Janson defending exclusion of non‑Western art. Ch. 1
2 Anita Anita dances at Tilly’s party, foreshadowing her death. Ch. 2
3 Raquel Raquel wins a fellowship; feels class tension at Brown. Ch. 3
4 Anita Flashback to Jack’s retrospective; Anita decides to reclaim power. Ch. 4
5 Jack Jack and Anita fight; Jack accuses her of stealing his work. Ch. 5
6 Raquel Raquel faces racism from Art History Girls; loses virginity to Nick. Ch. 6
7 Anita Anita recalls her first solo show; art falls from walls. Ch. 7
8 Raquel Raquel’s radio show; flashback to eating disorder; tension with Nick. Ch. 8
9 Anita Anita hires a detective; Jack beats and throws her out a window. Ch. 9
10 Raquel Raquel visits Temple; dinner with Nick’s parents; feels belonging. Ch. 10
11 Jack Jack arrested; lawyer plans to portray Anita as unstable (Santeria). Ch. 11
12 Anita Anita returns to Cuba; performs ritual silueta; stays for a year. Ch. 12
13 Raquel Nick manipulates Raquel; reveals representation by Tilly Barber. Ch. 13
14 Jack Anita’s memorial; Jack sees women in mud; falls in Central Park. Ch. 14
15 Raquel Raquel’s mother visits; tension over class and Nick’s aloofness. Ch. 15
16 Jack Bat attacks Jack and Ingrid; Anita’s spirit confirmed. Ch. 16
17 Anita Anita learns ghost rules; bat guide teaches her to fly and bite. Ch. 17
18 Raquel Raquel learns Jack murdered Anita; Mrs. Fitzsimmons dismisses Anita. Ch. 18
19 Jack Jack sends cease‑and‑desist; plans rival show; lawyer suggests bench trial. Ch. 19
20 Anita Tilly cancels Anita’s retrospective; Anita attacks Tilly as a bat. Ch. 20
21 Raquel Raquel researches Anita in the library; feels deep connection. Ch. 21
22 Anita Anita’s art is stored; she loses bat power; decides to haunt Jack. Ch. 22
23 Jack Jack sees Anita’s ghost altered his art; begs Tilly to bury Anita’s work. Ch. 23
24 Anita Anita’s art rediscovered then suppressed again; Jack gains estate control. Ch. 24
25 Raquel Nick cuts Raquel’s hair without consent; she walks out. Ch. 25
26 Anita Anita spies on a red‑haired woman storing her art; sinks into depression. Ch. 26
27 Raquel Raquel leaves Nick; demands Temple address Jack’s murder trial. Ch. 27
28 Jack Jack’s guilt resurfaces when Linda Fitzsimmons mentions Anita’s art. Ch. 28
29 Raquel Raquel gets a limpia; reunites with Mavette; sees Anita’s land art at RISD. Ch. 29
30 Anita Raquel ends relationship with Nick; Anita decides to stay with Raquel. Ch. 30
31 Raquel Raquel confronts Temple; approved for thesis on Anita’s influence. Ch. 31
32 Jack Jack suffers stroke; ghost makes his glass spill; mocking grin. Ch. 32
33 Raquel Raquel wins prize for thesis; gets job in Brooklyn; receives Anita’s photo. Ch. 33
34 Anita Anita stops vengeance; becomes guardian; helps Raquel. Ch. 34

Common Questions and Answers

1. What is Anita de Monte Laughs Last about?

It follows two artists: Anita de Monte, a Cuban‑American sculptor murdered in 1985, and Raquel Toro, a Puerto Rican art‑history student who reclaims Anita’s erased legacy two decades later.

2. How does Anita de Monte die?

Her husband Jack throws her out their apartment window after she announces she will divorce him and take half his money.

3. Why was Anita’s work erased from art history?

Jack Martin and his dealer Tilly Barber used their power to cancel exhibitions, buy up her pieces, and bury them in storage. The art‑world press also dismissed her as “a pushy Cuban thing.”

4. Who is Raquel Toro?

A first‑generation Puerto Rican student at Brown University. She researches Anita’s life, challenges the omission of Jack’s murder trial from her courses, and writes an award‑winning thesis on Anita’s influence.

5. What role does Nick Fitzsimmons play?

He is Raquel’s boyfriend, a privileged sculptor. He controls Raquel (cutting her hair without consent, ordering for her) and embodies the elitism she must reject.

6. How does the novel end?

Raquel wins her thesis prize and moves to Brooklyn for a writing job. Anita stops seeking vengeance and becomes a protective guardian, sending small signs to Raquel.

7. What does the ceiba tree symbolize?

It is a portal between the living world and Anita’s afterlife, rooted in Afro‑Cuban tradition. It represents spiritual connection, rebirth, and the way memory can be summoned.

8. What theme connects Anita and Raquel?

Both face erasure — Anita as a murdered artist, Raquel as a working‑class Latina in elite academia. The novel argues that solidarity and reclamation can overcome institutional silencing.

Deeper Dives