Chapter 22: A Thought So Terrible – Alone by Megan E. Freeman
⚠️ Spoiler Warning: This guide contains detailed spoilers for the entire novel. Proceed only if you've finished reading or are comfortable knowing the plot.
Summary
Maddie retrieves her own phone and tries to call her mother using speed-dial. The call rings in her ear. After a few seconds, she hears the ringtone her mother assigned to her—Scott Joplin’s “The Entertainer”—coming from one of the storage barrels. Crying, she speed-dials her father, and again a barrel rings. She continues dialing Paul, Jennifer, Emma, and Ashanti. Each time the ringing sound comes from the barrels. Maddie realizes that all the cell phones have been left behind, confirming her worst fear: no one is coming for her and she has no way to reach the outside world.
Key Events
- Maddie pulls her own phone out of her pocket and speed-dials her mom.
- The call rings, but instead of her mother answering, the ringtone comes from a barrel.
- She speed-dials her dad; the same thing happens.
- She tries Paul, Jennifer, Emma, and Ashanti—each name produces ringing from a barrel.
- The chapter ends with Maddie’s stark realization: “All the cell phones / have been / left / behind.”
Character Development
- Maddie’s desperation: The speed-dial sequence shows she is still clinging to the hope that her family and friends are reachable. She dials everyone she can think of.
- Emotional collapse: Her cry and blurring vision signal that this discovery is devastating. Until now she may have believed that phones at least existed; now that hope is shattered.
- Irony of her own phone: She had her own phone all along, yet it never helped her because the network was down or she didn’t try. Now she confirms that everyone else’s phones are literally stored away.
Themes, Symbols, or Motifs
| Theme | Evidence from the Chapter |
|---|---|
| Isolation | Every call she makes is answered only by a ringing barrel, proving she cannot connect to anyone. The phones are physically present but useless as communication tools. |
| Loss of connection | The phones are objects that once meant connection but now are silent tokens of absence. “The Entertainer” ringtone (a piece associated with cheerful trickery) underscores the cruel trick fate has played. |
| Despair | Maddie’s crying and shallow breathing reflect the psychological weight of the truth. The repeated speed-dial attempts show her unwillingness to accept what she already knows. |
| Memory and absence | The phones in the barrels are like a graveyard of relationships—each name she dials represents a person who is gone. |
Why This Chapter Matters
This chapter delivers a critical turning point in Maddie’s emotional arc. Up until now, she has been surviving day by day, but she could still hold a faint hope that someone might return or that the phones might work. Finding all the phones abandoned proves that the evacuation was total and that nobody planned to keep in touch. It forces Maddie to accept a more absolute form of isolation. The chapter also strengthens the novel’s verse form: the short lines and fragmented syntax (“All the cell phones / have been / left / behind.”) mirror her fragmented state of mind. After this, Maddie’s mission shifts from waiting for rescue to learning to survive entirely on her own.
Study Questions and Answers
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Why does Maddie try so many different people’s phones even after the first two fail? She is in denial. Each failure is a shock, so she keeps hoping that the next call will connect. The repetition also shows that she cannot bear to accept the truth all at once.
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What does the ringtone “The Entertainer” symbolize in this scene? It is a lighthearted, playful piece, which contrasts sharply with the tragic situation. It may symbolize how the adults (her parents) tried to make the evacuation seem normal or amusing, or it could represent the cruel irony of a cheerful sound marking a terrible discovery.
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How does the format of the poem (short lines, staggered breaks) enhance the meaning of this chapter? The fragmented line breaks create pauses that mimic Maddie’s breathless, panicked state. The final four lines, each on its own line, echo the way a devastating thought hits in pieces. The form lets readers feel her shock rather than just read about it.
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