Symbols Scarred Emily McIntire

The Symbol of Water in Scarred: Adaptability, Resilience, and Sacrifice

Introduction: Water as a Motif for Adaptability and Strength

In Emily McIntire’s Scarred (the second book in the Nooit gedacht series), water appears as a recurring motif that embodies adaptability, resilience, and the ability to flow around obstacles. The most explicit expression of this symbolism comes when the protagonist, Sara Beatreaux, teaches the young boy Simon how to sword-fight. She instructs him to “wees als water. Vloeibaar en snel” (be like water, fluid and fast), a lesson she herself learned from her father. Throughout the novel, water recurs in various forms—from a metaphorical lesson to actual rivers and running taps—and its meaning shifts as characters navigate revenge, forbidden love, and sacrifice. This analysis maps the literal occurrences of water in the narrative, traces how its significance evolves, and connects it to key characters and themes.

Literal Occurrences of Water in the Story

Water appears in several concrete scenes:

  • Sara’s sword-fighting lesson (Chapter 23): In the castle grounds, Sara demonstrates how to hold a sword by telling Simon to relax his muscles and “be water.” She explains that water is the most powerful element: calm when necessary and fierce when challenged. This is the foundational use of water as a direct teaching tool.
  • The kitchen scene (Chapter 36): In a later kitchen scene, Sara again repeats the “be like water” phrase to Simon while drinking tea, reinforcing the lesson. Tristan overhears and finds himself captivated by her wisdom.
  • Washing blood from a knife (Chapter 30): After a traumatic encounter with Claudius, Sara washes the blood off her blade under a running tap. The water becomes a cleansing agent, both literal and symbolic, as she tries to wash away the violation of her dignity.
  • Tristan’s tattoo drawing (Chapter 17): While drawing a temporary tattoo on Simon’s arm, Tristan’s hand movement is described as “net alsof de tattoos levende dingen zijn, in plaats van kunst in zijn huid gegraveerd” (as if the tattoos are living things). The simile “als een boot in het water” (like a boat in the water) compares his flowing strokes to water, linking water to artistic creation and emotional vulnerability.
  • Ophelia’s drowning (Chapter 56): In the climax, Sara follows Ophelia to the Fiki River. Ophelia, pregnant by the late King Michael, confesses her abortion and then drowns herself. Sara watches without intervening. The river becomes a site of sacrifice and moral corruption.
  • The epilogue (seven years later): The epilogue shows the rebuilt city of Gloria Terra, implying that water—likely the same river—has been part of the landscape that now supports a restored kingdom.

How the Meaning of Water Changes Throughout the Novel

Water begins as a positive, empowering metaphor for inner strength. Sara’s father taught her that water adapts: it can be calm or fierce, and appearances deceive. This lesson equips Sara and Simon with a philosophy of resilience against those who underestimate them.

As the story progresses, water acquires darker connotations. The act of washing blood from a knife after a sexual assault attempt suggests water’s inability to fully remove trauma; the water cleans the blade but not the soul. Later, Ophelia’s drowning transforms water into a weapon of self-destruction. The river that once represented flow and adaptability now becomes a tomb. Sara’s passive acceptance of Ophelia’s death marks her own transformation into a morally ambiguous ruler—she does not save a woman who tried to harm her. Water thus shifts from being a tool of empowerment to a symbol of complicity in violence.

In the epilogue, water is absent from direct description but the rebuilt castle suggests that the destructive fires (which consumed the city) have been quenched by water, and the kingdom has been “cleansed” of its corrupt past. Overall, water’s meaning evolves from a personal resilience mantra to a site of tragic loss and, finally, to a subtext of renewal.

Character Connections to the Water Motif

  • Sara Beatreaux: Sara is the primary vehicle for the water symbolism. She inherits the “be like water” lesson from her father and passes it on to Simon. Her own character arc mirrors water: she is initially polite and compliant (calm), but after Timothy’s death and the revelation of her father’s murder, she becomes fierce and vengeful. Her decision not to save Ophelia shows her fluid morality—she adapts to the harsh reality of her world. Explore more about Sara’s character.

  • Simon: Simon, the secret bastard son of King Michael, is the pupil who learns the “water” lesson. He is small and vulnerable, but Sara teaches him to be fluid and strong. Later, his desire for tattoos (drawn by Tristan) is rooted in fear of bullying—he wants to appear tough, like water that can become rough when challenged. His growth culminates in the epilogue where he becomes the rightful heir, embodying the adaptability water taught him.

  • Tristan Faasa: Tristan is associated with water through the simile of his tattoo movements (“als een boot in het water”). His emotional state is often described with water imagery, such as the “hollow emptiness” he feels after vulnerability with Sara. He is also present at the river when Ophelia drowns, and his arousal at her death underscores his morally fluid nature. Read more about Tristan.

  • Ophelia: Ophelia’s act of drowning in the Fiki River is the most literal water-related death. Her name (a reference to Shakespeare’s Ophelia, who also drowns) ties her to themes of madness and sacrifice. She represents the destructive side of water—the inability to flow with life’s changes, instead succumbing to despair.

  • Sara’s father: Though deceased, the father’s lesson frames the entire water motif. His memory lives in Sara’s teachings, linking water to paternal wisdom and the Beatreaux family’s legacy of resilience. The family’s theme of sacrifice and transformation is explored in sacrifice and transformation.

Theme Connections

Water directly connects to several central themes:

  • Resilience and Adaptability: The “be water” lesson is the novel’s clearest statement on resilience. It teaches that true strength lies not in rigidity but in flexibility—a theme Sara embodies when she transitions from a sheltered lady to a queen of ashes.
  • Revenge and Its Cost: Water is used to clean blood (the knife scene) but cannot erase the stain of revenge. The river that swallows Ophelia also witnesses Sara’s moral compromise. The cost of revenge is that one must flow with violence to achieve it. See revenge and its cost.
  • Power and Control: Tristan’s water-like tattoo movements show his artistic control, while Sara’s lesson gives her power over Simon’s education. Water’s dual natures—calm and fierce—mirror the power struggles in the court. More on power and control.
  • Forbidden Love: The intimacy of the water lesson, where Sara and Tristan exchange glances after the teaching, parallels the forbidden attraction between them. The river scene, where they kiss after Ophelia’s death, is a turning point in their love, uniting them in guilt. Read about forbidden love.
  • Loyalty and Betrayal: Sara’s loyalty to her father’s lesson and her betrayal of the king’s family are both water-related: she teaches Simon, a Faasa, while plotting against King Michael. Ophelia’s betrayal of Michael (the abortion) leads to her watery death. See loyalty and betrayal.
  • Sacrifice and Transformation: The ultimate sacrifice is Ophelia’s suicide, which transforms Sara into a queen unafraid of moral compromise. Water enables transformation: from fire to rebirth, from secrets to revelation.

Study Questions

  1. How does Sara’s “be like water” lesson function as both a combat technique and a philosophy of life? Answer: As a combat technique, it teaches relaxation and fluidity to wield a sword effectively. Philosophically, it becomes a resilience strategy—Sara tells Simon that water is calm when needed and fierce when challenged. She herself applies this when she shifts from a passive bride to an active avenger after Timothy’s death, adapting to survive in a hostile court.

  2. What does the Fiki River symbolize in Ophelia’s drowning scene, and how does Sara’s inaction affect our understanding of her character? Answer: The Fiki River represents both sacrifice and moral ambiguity. Ophelia chooses to drown rather than face her sins, while Sara watches without saving her. This inaction shows that Sara has fully embraced the ruthless, fluid morality of the world—she lets her enemy die, marking her transformation from a girl who follows rules to a queen willing to bend them for power.

  3. How does water imagery connect to Tristan’s character, especially in the tattoo scene? Answer: During the tattoo scene in Chapter 17, Tristan’s hand movement is compared to a boat in the water. This soft, artistic side contrasts with his usual harsh demeanor. Water here suggests his hidden caring nature—his ability to create beauty and connect with Simon. It also foreshadows his later emotional vulnerability with Sara, when he admits anxiety and shows tenderness.

  4. In what ways does the water motif evolve from a teaching tool to a symbol of moral corruption by the novel’s end? Answer: Initially, water is a pure metaphor for strength passed from father to daughter. In the middle, washing blood from a knife shows water as a cleanser of physical evidence but not of emotional scars. Ophelia’s drowning turn water into an instrument of suicide and Sara’s complicity. By the end, the rebuilt city implies water has quenched the kingdom’s fires, but the characters’ moral stains remain—water has changed from innocent to tainted.

Conclusion

The water motif in Scarred is a fluid and transformative symbol. From Sara’s father’s lesson to Ophelia’s river death, water adapts its meaning across the story. It teaches characters like Simon to be resilient, reveals Tristan’s hidden artistry, and forces Sara to confront her own moral flow. Ultimately, water reflects the novel’s core theme: true power comes not from rigidity but from the ability to change shape—even at the cost of one’s innocence.